African American Experience Quotes

The history of black America was from slavery, oppression, civil rights, and you felt kind of isolated as an entity in our country.

Coming up in the Bay Area and being African American in a city that has a history of complex issues of violent crime, interaction with the police is always intense. That's something you have to learn. My mom taught me at a young age that if ever a cop stops you, you put your hands up and freeze - don't move.

Her continuity - you know, if you connect Harriet Tubman, who died in 1913, to Rosa Parks, born in 1913, you get this extraordinary spectrum of the African-American experience.

Roots is not just a saga of my family. It is the symbolic saga of a people.

I love "Phenomenal Woman." The experiences she had of being African American in the U.S. - that itself is a task. I appreciate the hardships Maya Angelou went through for our generation. I'm super influenced by the black people that paved the way for us.

Rest at pale evening... A tall slim tree... Night coming tenderly Black like me

Mostly I'm proud to be an African-American woman, but I'm glad I have a universal look as well.

The myths that are created about the South, about the way we grew up, about black people, are wrong.

I'm a student of Ice Cube and Scarface, which means the stuff I rap about is not radio-friendly, and it's very opinionated. and it's very much from the perspective of a black man in America, and our opinion ain't always popular when we have a political opinion.

Just as if you do a mash-up of reality from the point of view of African Americans in this country, you're going to end up with something that will say, "This is Black Lives Matter." It's not that people necessarily have started out from that premise. But if you're looking at reality, that will be the result because that is reality.

I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.

You make real progress when somebody is honest enough to say something that's really uncomfortable. Of course when you're a candidate's wife and when you're first lady and the first African-American first lady to boot, that is very, very hard to do.

I grew up a poor kid to a single mom, so as an African-American actor I have a responsibility to hold the mirror up and reflect our stories. I'm living the dream and also escaped the inevitable.

I think that James Baldwin is, for sure, one of the most important American writer/thinkers of his time... not just African-American. He singled-handedly revolutionized the political, artistic, and historical discourses about America.

You know, when Trayvon Martin was first shot I said that this could have been my son. Another way of saying that is Trayvon Martin could have been me 35 years ago. And when you think about why, in the African American community at least, there's a lot of pain around what happened here, I think it's important to recognize that the African American community is looking at this issue through a set of experiences and a history that doesn't go away.

When I was young, I dreamt of being a starlet in Hollywood. But there comes a point in every African American's life when you realize the limitations, that you could only play maids or some little supporting role. Even Lena Horne couldn't get good parts.

The lives of African-Americans in this country are characterized by violence for most of our history. Much of that violence, at least to some extent, you know, done by the very state that's supposed to protect them.

Negro life in Washington is a promise rather than a fulfillment.

Hold those things that tell your history and protect them. During slavery, who was able to read or write or keep anything? The ability to have somebody to tell your story to is so important. It says: 'I was here. I may be sold tomorrow. But you know I was here.'

In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."

I think every Negro over fifty should get a medal for putting up with all that crap.

History looks very different from a black point of view. The heroes are different, and the eras get different names. The Progressive Era is no longer the Progressive Era, because it's the era in which more black people are lynched than in any other period in American history.

I don't understand why black people have been so quiescent, so passive over the hundreds of years of American history. Why hasn't there been more violence, more armed struggle? I know answers to some of that, but it seems to me it's an issue of faith, an abiding faith in some sort of great beyond, or great spirit, or even in the American dream.

I grew up in the '50s, a tough time for African Americans. I had friends whose fathers would openly say, 'Just bite your tongu;, don't cause any problems.' My father was not like that. Even in the toughest times racially, if somebody disrespected his family, they were in trouble.

I'm an African-American man. I've got to live with that. I've got to be cautious everywhere I go.