Naga Chaitanya Quotes

Right now a lot of people are still choosing to go to Toronto instead of shooting in New York City, something I haven't done and something I hope I'll never have to do.

Shooting on location and dressing locations in Los Angeles is shockingly expensive, especially when you're talking about webseries-level budgets, so the opportunity to build our sets in YouTube's space gives us a lot more room in our budget in being able to create the world of 'VGHS' properly.

I tried to film 'Leaves of Grass' in Oklahoma, but it was literally about a million dollars less to shoot in Louisiana.

The first prize for any production is, if you can find a location that means you don't have to build sets, that will serve, and is not excessively expensive to hire, then it can save you a lot of money.

Michael would take us on location and see how the colors worked in the forests and fields.

I'm not tied to budgets. I'm tied to the story that I want to tell, and how much it's going to cost is up to whatever the economic situation of the studio is.

People in Hollywood are going make pictures where ever it's the least expensive to make them.

As the years go by and I make more films, I am increasingly interested in capturing place as a vivid backdrop for my films.

It's easier to cancel a show if it's expensive.

In a movie, you have to be mindful that no budget is going to be able to deal with running around the globe at every whim of the writer.

It is too expensive to have a bricks and mortar presence everywhere.

'Generation Kill' was not a very glamorous shoot. For all intents and purposes, it was low budget, and all the money they had went to what you see on the screen.

On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.

Producers shoot movies where the tax incentives are.

When I work, obviously the material is the first and most important thing. Then the director and who I'll be working with. And then the location comes into it. Where is it shooting? Because I have a family that has to uproot to do that with me.

The truth of the matter is that it's not much less work to do a short than it is to do a feature. Particularly when you're running around different countries.

I imagine when you're making a reality show with a whole crew, it's bound to get complicated.

Well, we shoot for so long on 'Stranger Things' that I know Atlanta really well.

I'm planning some films in the U.K., and it will have pros and cons. It takes a lot more time to set up a film in the U.K., because you can't rely on much. In Greece, friends show up and bring what they can and you make the film. Well, that's a bit simpler than how it really is. But when you make a film with proper industries, it takes more time to synch all these things.

It's one thing to plan and imagine what you want on a film, but when you actually arrive and survey the scene, there's a moment of, 'Oh my God, what was I thinking?'

I had a really fantastic time shooting 'Bad Teacher.' I loved every second of it.

I'm always very, very careful when the movies happen and where they happen.

I've shot in Hawaii a few times, and it's always magical.

I used Malta as a location to shoot a lot of my action sequences, and that's because we don't have the kind of setup that Malta Film Studios does. They have a world-class facility.

If you're doing movies on a set... many times, I've shot the end of a movie in the first week of shooting. Because of locations or budgets or actors' availability.