Filming Locations Quotes

I've always wanted to make a music video with skating and different imagery, something very artistic.

In the States actors get their own trailers, but in Korea all the actors group up in one room, and stay there together the whole day.

For all my films, location plays an important role because I like to give the authentic look of the place. And for that, one must go there and shoot at the right spots.

As the years go by and I make more films, I am increasingly interested in capturing place as a vivid backdrop for my films.

I was filming a movie in London, and I drove through Ireland. It was quite beautiful, and the countryside was really remarkable. The contrast between the countryside and Ireland, and the murals there, with Northern Ireland still being a part of the United Kingdom, there's just a stark contrast in those two things. And I found that the art that came out of the conflict was really spectacular because it was about remembering either events or points of view for local neighborhoods, or the rallying cries of one side against the other.

I signed on with Disney to star and choreograph an original film.

I was about 19 when I began working for Hindi films.

We shot in British Columbia and I miss it. I've actually gone back a couple of times just to see the country. It's beautiful.

Two years ago, I shot 'Pillars of the Earth' in Budapest - it was a big part, but I had a lot of time to sit around and visit cafes.

We shot 'Tevar' in Mathura and Agra, 'Mom' was shot in Noida and Greater Noida.

Shooting for Aamar Pratigya' was a completely delightful experience for the 25 days I shot for the film.

New York is my home and I have a particular fondness for it. I think it's a place where you can generate any kind of story wonderfully. But I also would be very happy to make a film in Paris or Rome.

You never get fans hanging out on movie sets. It just never happens.

There was a time in the 1980s when I worked in 22 films a year.

If you ask an actor what he'd prefer to act on, he'd probably say a tangible, real set, or even better, a real location out on a mountainside or by a river. It's just easier because you don't have to imagine anything.

When I went back home to Seattle after filming 'Dune' in Mexico, I thought, 'Did this really happen?'

'Lassie' was amazing. I didn't have any scenes with humans. There's a couple little bits, here or there, but mainly just me and my horse and a couple of dogs in the Isle of Man.

'Generation Kill' was not a very glamorous shoot. For all intents and purposes, it was low budget, and all the money they had went to what you see on the screen.

It's the same the world over. A Hollywood production comes to town, and the locals all turn movie crazy.

'Chocolat' was a joy to make, as we were filming in beautiful locations in France and England. Lasse Hallstrom is such an amazing director - overall it was a wonderful experience.

My mom's a screenwriter, and before that, she was an actress, and my father was an actor; my stepfather was a director, so I was on sets a lot as a kid. I loved the magic of the set. You walk in, and it's a living room, and you walk outside, and it's just a piece of wood held up by another piece of wood.

I was looking to be a part of commercial cinema and that was when I signed 'Jodi.'

I used Malta as a location to shoot a lot of my action sequences, and that's because we don't have the kind of setup that Malta Film Studios does. They have a world-class facility.

After 'Heart Skips A Beat' hit No.1, I barely had a chance to celebrate 'cos it was straight over to the judges' houses for the 'Xtra Factor,' filming in Greece, L.A. and Spain.

So many films end up being filmed in London or in the same places over and over again.