Every time I go to the theater, there's something about the atmosphere, seeing something unfold live in front of an audience, that you can't get out of your system.
The crowd and the energy is incredible. I love going to Saudi Arabia because the energy is just awesome.
The 'hottest bar in town,' to me, means high energy.
City came in strongly for me, put their cards on the table, and what I have found out since is that every game in England is a privilege - the atmosphere, the fans, the interest that surrounds it. Every time I go out on the pitch, I know I've made the right decision.
Food is an excellent way to do very elegant worldbuilding - the kind that can make a fictional world seem real, like it extends way past the edges of the frame.
Just the energy when I was sitting and watching the game, like the seats were shaking, fans were screaming. Just, I feel like I'll be ready to play in something like that when it's my time.
For all my films, location plays an important role because I like to give the authentic look of the place. And for that, one must go there and shoot at the right spots.
It always seems to be raining harder than it really is when you look at the weather through the window.
As the years go by and I make more films, I am increasingly interested in capturing place as a vivid backdrop for my films.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
For me, the sound design and the musical score is a big part of what makes scary movies work.
The economy of communism is an economy which grows in an atmosphere of misery and want.
Nothing seems to me to be rarer today then genuine hypocrisy. I greatly suspect that this plant finds the mild atmosphere of our culture unendurable. Hypocrisy has its place in the ages of strong belief: in which even when one is compelled to exhibit a different belief one does not abandon the belief one already has.
Everybody wants to have a good time, especially at a concert. That's why everybody goes.
I think, in any workplace environment, the atmosphere trickles down from the top.
Shooting stars are not stars at all. They re just rocks that enter the atmosphere and catch fire under friction. What we wish on when we see one is only a trail of debris.
Scientists tend to focus on what they don't know more than what they do know. And there are a lot of things we still don't know about the climate. But we know the difference between climate variability and climate change, and right now the amount of carbon in the atmosphere is well outside the variability pattern - and that's quite quantifiable.
A hotter, moister atmosphere is an atmosphere primed to trigger disasters.
Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
The carbon dioxide concentration in the atmosphere is measured. It's uncontroversial. It's going up. We know that has a tendency to warm the atmosphere and we should be worried about that.
People used to always complain that horror films have no stories, that it's all just about kills and stuff like that.
You see on the night of a Champions League game. It is magic. It is total magic.
I love Fincher, as he has a great atmosphere and intensity. Also, I grew up watching Hitchcock movies, and there was something elegant in the way he plays with you and plays with the character and tricks you.
You know music and sound design can be very powerful with how you use it but also the absence of sound can say a lot as well.
My restaurants are about community and about sharing and about warmth.
