Finn Wolfhard Quotes

Working on 'Roadies' has been a fantastic experience.

I worked with her on the second season of Dark Angel in Vancouver, one of my first real jobs.

Running a TV show is always running a TV show; it's never not running a TV show.

A TV show is constant work, which is the great thing about it.

TV is designed a certain way where you have three, four days on stage and three or four days out. You're basically making a feature every seven days. You have to shoot an hour's worth.

I'm really proud of this show I did called 'I Just Want My Pants Back.' I was very proud of my work on the show and such a huge fan of everybody involved.

Doing a TV show, you're on an assembly line and it's as cut and dry as that. There are some shows that are exceptions. There are producers that want really special things.

I am the lead on NBC's 'Siberia,' and I loved that experience.

We did a remake of Lost in Space. Filmed it in London for four months.

It's actually much harder to develop a TV show than I had anticipated.

On 'Game of Thrones', the people that I've met, of the people behind the scenes, was not even a scratch of the vast crew that actually does work on that show.

Working on 'Laguna' was great because just being in production and shooting stuff and having to go back and relive some things, and there were some lines here and there that the producers would want us to say, and just kind of, you're forced to recreate moments, and just working on the show was so much fun.

I just wrapped a new show for Amazon called 'Transparent.'

When I was a teenager, I worked on a show that was about a family.

We had an amazing experience shooting the first season of 'Leverage' with such a talented cast and crew and with the full support of TNT behind us.

It's pretty surreal to be doing a show on HBO with pals.

One of my first jobs was on a show called 'Cold Case.'

Usually, on a show like 'Game of Thrones,' you don't have much time to rehearse; a lot of the sets are not available.

It's a lot of hard work to do a weekly TV show. It's certainly not fun.

Working on 'Open All Hours' had some unexpected perks, not least the attractions of the canteen at the BBC's rehearsal studios in West London.

I was fortunate to work on a few episodes of 'Barry' right before we shot 'Atlanta.' That was where I got my training wheels for action coverage.

Making '1600 Penn' was really fun, and I learned a lot.

Shooting the webisodes was hilarious. It was at the very, very end of 'Battlestar' as we know it.

It has taken a lot of persuasion for me to take part in an official documentary about 'Only Fools and Horses.' But, as time has gone on, it seems to have been imprinted in television history, and I thought it was only right that I tried to give an accurate insight into how the show was put together.

And your typical TV series, you've got your police station, your apartment, the hospital, the starship, or whatever it is, and you're constantly going back to those sets and shooting, which saves you a lot of money and time. You can do that faster because you become really familiar with it and you become really good at it.