Kevin Nealon Quotes

A big moment for me was when I did a play that was a new adaptation of Dostojevskij's 'Crime and Punishment,' and I played Raskolnikov. It was actually the first thing I did when I got out of acting school.

I enrolled in an acting workshop and my first acting role was on the TV soap opera 'Melrose Place.'

Acting-wise, I did a web series. I play a music agent in a series called 'Keeping Up with the Downs.'

It was my first straight dramatic role, and the most adult, intelligent one I have ever played.

The first movie I had a featured role in was Parting Glances.

I did a guest appearance on The Practice and loved it.

The first acting I ever did was an Italian commercial. Once I did that, I said, 'this acting thing is awesome.'

Le Petit is where I cut my teeth with some of my early roles. In 1982, I was in the chorus of 'Gypsy' and soon after I had my first lead as Jamie Lockhart in 'The Robber Bridegroom.'

My first acting role as a kid was on 'Freaks and Geeks.'

'Sara' was the first film project I worked on as an actress; it's a short film.

I had an amazing experience doing 'Skins.' It was the first acting I'd ever done in my entire life, so I had to learn on set for those two years. I had to keep my head screwed on and learn from the other cast.

My first show 'Kahe Naa Kahe' was such a big challenge for me.

[Betty in Two Evil Eyes]was my very first on-camera role. With Harvey Keitel.

I hope everyone can give the audience that real, true experience. But Mandy [Moore] and I, we definitely jump decades, and I think trying to find a base look, so that I can go back to the Eighties, I can jump to the Nineties, it was like, "All right, Milo, you're living in a moustache for a little while." Which I'm perfectly fine with.

We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.

I get cast gay a fair amount throughout my life. It's not the first time. Matt [Letscher] was kind of like, 'Jeff, um, I'm gonna pretend this is real easy and not a problem, but I've never done this at all.' And so you know, we were awkward for a while. And then he said, 'Let's go for it. Come on. I'm gonna pretend you're my girlfriend, my wife. Here we go.' And we had a lot of fun.

Just being the first person to bring the character to life is really fun and exciting.

There's something very cool as an actor when you have an opportunity to play somebody who's real, whether they're still alive or not, but who has lived a life.

I did an after-school special as my first big thing. It was starring Butterfly McQueen. She was the name. But the real star of it was Robbie Rist, who was that little blond kid who looked like John Denver.

I did [Michael Cimino] first movie, "Thunderbolt and Lightfoot," and I remember I was still in my twenties and very nervous, we're shooting up in Montana, and I'm thinking, "What the hell am I doing here? I don't feel anything like this part.

I come down as an actor and my marks are already laid out on the floor - somebody else organized what I'm going to do. I think, why am I here? And why I'm here is to express the words with some sort of vague emotion and make them seem real. I wanted to go back to how it was before.

I think age is sometimes just a number. But it's a real joy. Young actors don't come with any of the baggage that we load ourselves up with. They're not worried about their profile, they're not worried about how good they look, or all the nonsense. They just tell the story and ask: "What happens in this scene?" Well, I'll do that then. And professionally it's good for you because it means that you're forced to do the same thing, and that's always a good thing.

I don't ever want to do a movie where you shoot it on a motion capture stage. I just don't like taking the reality out of it. I like being on the set in real environments. I don't like shooting on green screen. I think it gives the actors so much more to play with when there's real stuff happening on the set.

In general, I'm pretty busy with the other things I charted ... I bought a piece of a sports-tech company. We do a lot of work with at the Clippers. I think that'll be great. We're really looking at the possibility of extending and building a real over-the-top distribution channel with value-added services for the Clippers, that could lead to other partnerships and investments. But most of the stuff I'm looking at isn't because I say, "Hey, I want to invest." It sort of comes around from the work we're doing with the Clippers.

I think people have a little wall they throw up real quick if they see swords and sorcery.