PAUL BETTANY

So the actual privilege is that you can then take time off - and if you don't, you're a fool. You're earning all this money to support children whom you then don't see, which is absurd.

It's weird, because usually if you're British and you go to America you play baddies; but I play naughty people here and goodies in America.

I was born a Catholic and now I'm a lapsed Catholic. I'm something but I'm not a believer any more.

The difficulty of looking at a system like natural selection if you have any sort of moral sense yourself, is almost what makes it beautiful.

For a while, I stopped enjoying making movies and I stopped enjoying acting, because I made a few decisions that I wish I hadn't made.

In America, they shoot budgets and schedules, and they don't shoot films any more. There's more opportunity in Europe to make films that at least have a purity of intent.

I still read the British papers, but I've never been a Royalist, ever. It's funny, there always seems to be much more of a fascination with the Royal Family over here then there does in England.

The trouble with talking about acting is that it's like sex. It's enormously fun to do but just dreadfully embarrassing when you have to talk about it.

Up until like five seconds ago, I just took what jobs came along.

For some ungodly reason, I end up being naked in a lot of stuff. But there is a certain grace and kudos that come with taking your clothes off on the first day, a respect that is given by the rest of the cast.

But I feel truly wowed by the architecture and the meaning of the architecture if you get lost in it and think about the man hours in the smallest little chapel, and the love involved. God it's fantastic.

I feel safe in saying this, and that is that Peter Weir is without a doubt one of the greatest filmmakers of all time. I'd open a door in a movie for him if he asked me to.

The only thing I think I can be accused of about paparazzi is being really naive. I didn't think about it coming along with the job and I never, during my three years at drama school, fantasized about one bit of it.

Yeah, I love history and I loved it as a kid.

I think when you're trying to produce a relationship on screen that doesn't actually exist, perhaps sometimes there's a temptation to look at each other more, to touch each other more.

The fact that in America bread lasts so long. You buy bread, and then it's bread forever - it's Forever Bread!

I'm sure some people have an absolute grasp of where they are in their careers. I just don't think about it that much.

I think the success of the Marvel films comes from the fact that they're made by fans. They really love those characters. When I first came out dressed as Vision, Kevin Feige nearly cried.

In marriage, there's a lot of ignoring each other, which is hard to fake on-screen.

I find parties difficult. I like a dinner party, but I find being at parties difficult, so I choose not to go to parties.

I resist the idea of there being on-screen chemistry. I think it's something that people like to say without thinking.

I loved working with Peter Weir. I think he's one of the greats and will be remembered as one of the greats.

I did eight months of training for 'Wimbledon,' and then, by the time I finished the movie another four months later, I was like, 'That's me. I'm done with tennis.'

My relationship with 'Star Wars' is that I'm old enough that I saw it when it first came out - 'A New Hope,' that is - and it was like when Dorothy steps out of black and white into Technicolor. I was transported from a gray, miserable 1970s London into a different galaxy, and I didn't know what it was, but I wanted to be a part of it.

I've noticed, in the ebbs and flows of success and popularity, so much of it is fraudulent and to be distrusted.