BO BURNHAM

I've always liked TV shows that have slightly unlikable leads, where you root for them in spite of a lot of things. I know it's not common with shows with young people; they have to be so likable. But, I mean, teenagers just generally aren't very likable. I know I wasn't as a teenager.

I think comedy has a range, with multiple peaks in different areas. It's like trying to compare Beethoven and the Beatles. Sometimes I hear from people, 'I think you try too hard in your comedy.' And that's what I worry about.

When I see someone filming me, I don't usually think, 'No, man, don't put this up online!' I'd think, 'Hey man, you don't get to go to shows very often, put down the camera and enjoy it!' I love going to theatre and to shows so much.

For me, if you distill comedy down, it is surprise and the unexpected. That has to be it on its most base level, in any form.

I was definitely not the kid that just wanted to be famous for no reason whatsoever and then happened to find comedy. Fame and all that stuff have always been slightly terrifying to me, and it makes me very anxious.

The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.

I think it would collapse my heart if I was super famous. I don't have the nerve for it, I'm too anxious. I don't know how you're not obsessed with how people perceive you, because they're real people, you know? You can convince yourself that they don't really know you, and that's true, but how can it not hurt your feelings?

Once a week, I like to slip into a deep existential depression where I lose all my sense of oneness and self-worth.

I misdirect the audience, so they have no idea where they are or who they're listening to.

The average person has one Fallopian tube.

I'm bored way too easily. I'm staring at screens half the day. I need to be overstimulated. And how will that express itself artistically?

Comedy is the one absolutely self-aware art form. Actually, hip-hop's another one, I suppose. Because in your songs you're talking about how good a hip-hop artist you are. It's like a painter painting a panting of himself painting a painting.

I don't try to call myself a poet. But I know that my stuff is pretty literal, in that the themes are pretty simple and on the surface.

For me, comedy is constantly presented as this fake casualness, like a guy just walked on stage going, 'This crazy thing happened to me the other day.' And he's in front of 3000 people, and he's acting like an everyman, and he's getting paid so much money.

I think the love-hate is fundamental. Everyone hates reality television, and everyone's watching it. Everyone hates Facebook, and everyone is on it.

Comedy should be a source of positivity. I don't want to bully people, and I don't want people to come to my show to feel terrible about something. So I'm actually very open to having a conversation about what I should or shouldn't say.

Most of my songs make fun of myself.

I just like to write and then perform.

At once I feel that comedy is this amazing sort of transcendent thing, and I'm also open to the fact that maybe it's just an evolutionary hiccup, something that upright apes do in their free time.

At one point when I was very young, when I was first starting out, I thought, 'Well, one day I'll be able to put all the music away and become a real comedian.' But then I realized there are amazing musical comedians out there, that musical comedy is probably something I'll always want to pursue.

There's a certain line between jokes and music and poetry that's a bit blurred in my mind.

I think the comedy clubs tend to homogenize the acts a little bit, because they force them to be palatable in way too many environments.

I've always liked the format of YouTube, sharing things for free, which is a nice exchange between people.

I try and write satire that's well-intentioned. But those intentions have to be hidden. It can't be completely clear, and that's what makes it comedy.

I have a pretty good math mind, so I can see patterns, but I don't have a great ear. It's like a tragedy - I can see so much more natural musical ability in so many other people.