There's no locality on the web - every market is a global market.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
In the next decade, I see Spanx going worldwide. Everywhere. No butt left behind. It's going to be all over the world and it's going to be an aspirational brand that transcends categories. There's so many things we can improve upon and make better.
Few years ago, it was completely different. Now you go to any country, city, or continent and just say 'Bollywood,' and they will know. So, it means everybody is watching everything.
My greatest contribution to hip-hop was allowing the United States of America to know and understand exactly how far they reach, and how influential they are to children in completely different countries because I am the import.
The scope of America's global hegemony is admittedly great, but its depth is shallow, limited by both domestic and external restraints.
InMobi is not just an India-focused company, but it is a global player.
We are not only having a great audience for Punjabi films in north India but we are also seeing growth in other places like Mumbai, Pune, Bengaluru, Kolkata, Indore, etc. And the overseas audiences have always been good for us. Without them we couldn't have taken Punjabi cinema to such heights.
If you are only big in China, you are only a local Chinese company.
I'm hoping that I'll be able to find a distributor to come into Canada with it, because I think it is a wild and crazy romp that really tells things like it is.
The one thing that's changed for 'That Metal Show' is that it's now global; it's now on in places outside of America.
I make music for the whole world, not just one borough.
Basically, I'm working on global domination. I plan to have members globally. What I'm looking to do is expand in a way that allows us to provide more access and take advantage of the sort of 'world is flat' technology platform, where it doesn't matter where you're located.
Any small business that's predicated on technological innovation and is differentiated and superior can expand globally very effectively using the Internet as a vehicle for promotion.
While we might now have expanded into the U.S.A. with our California office, I'm a Coundon girl born and bred and proud that Crafter's Companion is based in the North East of England.
I'm beyond thrilled to be working with Faber, whose literary history is second to none. And I'm even more excited to bring my books to a wider audience in the U.K.
Garrison Keillor read several of my poems on 'The Writer's Almanac' and I've heard from listeners nationally and internationally. That's one of the great gifts of email.
I've got a distribution system that goes to 170 countries. If I acquire properly, you know, you may be successful in one or two countries, or one place; I can scale, and that's part of the value that IBM brings.
My music is for the world. Let them enjoy it.
I think shows being sent out this way - pressing a button and 10 episodes can go out to the U.S.A., and the U.K. and Germany, it's very cool.
Helping doing business easier, we choose the name Alibaba because it is a global company. It is founded in China, but it was created for the world.
I was travelling a lot, during the release of 'Dilbar,' to various countries, and the song would be played at random places like lounges, coffee shops, streets, and I realised the song had reached levels that was beyond India.
In America we have across the country, the entire world.
Our actors are crossing borders and now so are our stories. And that is what I saw in 'Bachaana.' The film is light and easy.
Bounce is taking flight all over the globe. New York especially, and L.A., Canada, Portland, Washington. It keeps getting bigger and bigger.
