I DJ and I'm a harsh critic of DJs.
I went back to DJ'ing in 1987, and it's been an incredible second career for me. Plus, it's almost a parallel universe. If you don't go to underground clubs, you wouldn't know what I do or who I am. So there's been a whole new audience of people that don't even know I'm that 'Boy George', the one their mother used to like.
I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
I've been DJing mostly, and most DJs end up producing. That's just me.
My uncle, he's a big DJ out here in L.A. His name is DJ Tee; he's got a bar in Westchester.
My goal is to be the Jay Z of DJing.
Since I was a kid, I always felt the need to share the music I love with as many people as possible, and DJing seemed like the perfect outlet.
I started doing a half-hour Sunday night talk show on college radio station KUNV. That excited me more than anything I'd ever done. I went through the Yellow Pages to find people who seemed interesting. I'd goof on these people, but they were so excited to be on the radio that they didn't even notice.
I really had no aspirations for becoming a DJ, and now I find myself having to campaign to be in the DJ Top 100.
When I play discos in Belfast or freshers' week in Oxford, there are 1,800 kids dressed as me. It's odd, it's funny, and it pays really well.
I studied communications, only because I could get my own show on the campus radio station. I never thought of it as a career. Music was always a really passionate hobby - it was like collecting DVDs or stamps.
I loved being on the radio. Being paid to talk? It's like being paid to eat.
It's always shocking to people, because sometimes when I go on the road and I DJ, they think I'm just gonna perform, so to see me really DJing and playing their favorite song and really rockin', it's a shock to people, and definitely to DJs.
The first time I went to New York, I met Alan Freed.
A lot of DJs who started the same time as me, they are not to be seen anymore. And I get so much love and respect from the young DJs, and some of them look up to me or ask me for advice. I am almost like the mentor.
Fewer and fewer bars are doing live music. Instead it's more DJs and dance parties.
I DJ'd and sang at Miami Basel 2013.
I've been DJing since before I could read the labels on the records.
When I'm DJing for two hours, I might play two or three Smiths songs.
The best compliment I ever had is, one day I was in Nashville, some disc jockey said, Hey, that sounds like a Tom T. Hall song. Up until then there hadn't been any such thing.
I was a singing disc jockey who heard every type of music there was - and loved it all.
When I started DJing years ago, I took great delight in annoying the audience. Playing Johnny Cash in the middle of a banging night.
I made my name and reputation DJing in hip-hop clubs in New York. 'Celebrity DJ' is a term that I hated. To me a celebrity DJ is someone that's on 'Big Brother' or in some kind of B-movie who gets a gig to DJ even though they're not talented enough to do it.
Potentially, I would be very interested in being a shock jock, though Ofcom might be tricky. Some of the American stuff is appalling, wild stuff, crazy conspiracy theories.
I am amazed at radio DJ's today. I am firmly convinced that AM on my radio stands for Absolute Moron. I will not begin to tell you what FM stands for.
