People who do comedy really are the nastiest people on the planet.
I've found nothing but support and generosity from older comics. I think comedians are a lot nicer than the stigma is, at least from my experience.
What is there to say about ChUC other than it's a comedy show done the right way in the right space. Fantastic comics, welcoming audience. Always great.
I've had a very positive experience in L.A. in the comedy world and found everyone to be very nice and welcoming. It's been really fun.
I do love standup. I love comedians. They're my community. Also, because I know so many of them, I know the value of them. I know what they can do.
In comedy, you work with people so often that they just become familiar faces - it's like a fraternity.
There's so many good comedians in D.C. I started hanging out with those guys. Dave Chappelle was there. Actually, Dave was too young to be in the clubs, so when his mom couldn't make it, he would ask me to pretend I was his aunt, so he could do open mike.
I do enjoy them. I get to meet the next generation of comics and help them out. Big comics doing small shows was something that used to happen a lot more back in the day. I wish there was more of that.
I'm a big comedy nerd, so I'm always looking for the chance to be funny.
I often say that ... I'm just involved in comedy, so I can be around it.
I got locked into a tradition [at Cambridge] of doing comedy.
The comedy community is very friendly right now. I think that's why you see all the synergy and people doing each other's movies.
I find I've always been judgmental about comedy (laughs) and it's hard to turn that off, really. But what constant exposure to live comedy does is it makes you give people a second chance.
I'm sort of known in the comedy community as 'Smooth Sailing,' just 'cause everything always goes great. I've always had success at every turn.
It was just really fun doing 'Step Brothers,' and then 'Party Down' came a year later. I was having so much fun. I loved the people and the comedy community.
When I started, I was very deliberate about making friends with people like John Mulaney who were really funny and wanted to go up and do as many open mics as I did.
When I started, there was no comedy community, no comedy industry; there were comedians.
I'm friends with a lot of comedians, but we don't talk about material. Most comedians I know don't watch a lot of other comedy.
Comedy - and I say this with humility - comedy needs me.
It attracts all types. But I definitely call the comedy world the land of misfit toys. Looking around the room at my friends, that's what I see.
It doesn't really exist, this Frat Pack. We run into each other on occasions and we all like each other's films, I guess, but there isn't some big funny restaurant or bar where we all hang out. At least, if there is, they haven't invited me.
Maybe it's because I come from a very utopian world of being a comedian, but I'm used to many live comedy performances going on in any city I'm in, and each of us is trying to be the best at what we do. I don't think of it as a competition so much as a thriving comedy economy.
I know Dave [Attel] and we're friendly, and I have nothing but respect for him.
There is an overarching comedy community, and then there are little comedy community pockets, almost like the way L.A. is structured. You have this grand scope of what Los Angeles is, but within that, there are all of these multi-functioning cities and neighborhoods.
When another comedian has a lousy show, I'm the first one to admit it.
