Character Continuity Quotes

What we try to do at Disney and through Disney character voices is really maintain the integrity of our classic characters at all costs. So Ariel needs to be me for every project, and if there are any other Ariels floating around out there, it's not necessarily Disney.

One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.

When you work on a pre-existing character, when you end up getting invited to be part of a legacy character like Superman, I don't feel like it would be true to the character if all I did was go in looking to express my own voice.

In 'Saving Mr. Banks,' the challenge was just transitions. Time transitions from 1961 to 1906; how do you follow a character in one environment to another? And sometimes these transitions were quick, so how do you do that?

The characters' lives have gone on before the moment you chose to have the action of the play begin. And their lives are going to go on after you have lowered the final curtain on the play, unless you've killed them off.

It's very important that all the supporting characters feel like they've existed in the world, that they've had a history, and they'll go on to have a history within the scope of the story rather than just popping up and then disappearing.

Sterling Holloway, the actor who had originally voiced Pooh, decided to retire in the mid-1980s. Disney decided that they wanted to continue this character with their 'New Adventures of Winnie the Pooh' TV series.

Normally, I love to go to the movies and when I see a character portrayed by different actors at different ages, it kind of pops a little bit for me. It brings me out of the movie experience. Now we have the technology to cure that.

When you're an actress, there are only a few times you can really get paid. One of them is doing a sequel. They can't fake you or hire another actor to play you.

Even though my approach is slightly different, the Luke Cage of 'Jessica Jones' is no stranger to the Luke Cage of Marvel's 'Luke Cage.' It's really a continuation to a certain extent. It's just got a little different flavor, but it's still the same suit.

To go from Jon Favreau for Iron Man 1 and 2 to Kenneth Branagh for Thor and the very different world of Thor, it's about how to adapt to Coulson in a different setting and a different world while, at the same time, still have him be a part of the same world.

I never like to go out of character when filming starts. I fear that if I do, I might not be able to pick it up again.

I think if characters change too much, it's unrealistic; their whole fabric of who they are as a person doesn't just disappear.

The character can never be static from book to book. People might think you just come up with a new plot and stick this guy in. Well, he has to be as new as the plot every time.

With any other movie, you're entering new territory, so it's quite different to be involved in something where it's the same characters, and the same people.