Terry Jones Quotes

I think all of the secrets of the universe are revealed in history. We understand who we are by understanding where we've been and why we are the way we are, and where we come from.

In high school, I began to dig my way into Ethiopian history, and began to understand myself as a young man formed by multiple narratives.

Myths give us our sense of personal identity, answering the question, 'Who am I?'

What makes me myself rather than anyone else is the very fact that I am poised between two countries, two or three languages, and several cultural traditions. It is precisely this that defines my identity. Would I exist more authentically if I cut off a part of myself

Nationality is not a universal human principle but an historical, local fact...Every nation, even a small one, has its own character, its own particular way of life and manner of speaking, feeling, thinking, and behaving. These distinctive features are the essence of nationality, the product of a nation's entire history and conditions of existence. Every nation, like every individual, is of necessity what it is, and has an unquestionable right to be itself. So-called national rights consist precisely of this.

I don't think it is possible to give tips for finding one's voice; it's one of those things for which there aren't really any tricks or shortcuts, or even any advice that necessarily translates from writer to writer. All I can tell you is to write as much as possible.

I feel like we're so limited by the context at which we look at life. The way we look at who we're supposed to be and how we're supposed to love... everything. I feel like that, in and of itself, is a project of a lifetime: the problem of how to break out of the limiting context that is imposed upon us by the educational system, by the church, by our parents... As a kid I rejected it without even thinking about it. Now that I'm a little older, I see how deeply destructive it really is.

I rejected the word humorist for a long time because I thought that it meant you had, like, a cardigan sweater with patches on the elbows, but now I'm old and I do. I grew into that word. I think at heart, all this time, I've been a diarist. I'm not ashamed of it.

Weirdly, when I was in drama school my accent probably got stronger because of that sense of identity when you leave home and go to somewhere where there are loads of people from different places. Holding on to being Welsh and where I was from was a real crutch for me.

You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.

One must be truly able to say I in order to know the mystery of the Thou in its whole truth.

In anything I do I try to stay true to myself because I think that's what matters most, and then the challenge is getting all these different sides of my personality to fit together in one box. It isn't an easy task. But that's basically what the end result represents.

On a personal level, Freaking Out is a process whereby an individual casts off outmoded and restricting standards of thinking, dress, and social etiquette in order to express creatively his relationship to his immediate environment and the social structure as a whole.

In order for you to be yourself, you have to be somebody first.

We think we need to create ourselves, always doing a paste-up job on our personalities. That is because we're trying to be special rather than real. We're pathetically trying to conform with all the other people trying to do the same.

I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.

In my case, I think my exile saved my life, for it inexorably confirmed something which Americans appear to have great difficulty accepting. Which is, simply, this: a man is not a man until he is able and willing to accept his own vision of the world, no matter how radically this vision departs from others.

If you don't know where you come from, it's difficult to determine where you are.- It's even more difficult to plan where you are going.

I left the Midwest thinking I didn't fit in. But when I got to New York, I realized how truly Midwestern I was.

I couldn't tell you why but now I know a story is in fact where you discover who you are, where a culture discovers what it is and I just think that this is a terribly important place to get into and that I would enjoy it.

Culture is like wealth; it makes us more ourselves, it enables us to express ourselves

Without those forerunners, Jane Austen and the Brontes and George Eliot could no more have written than Shakespeare could have written without Marlowe, or Marlowe without Chaucer, or Chaucer without those forgotten poets who paved the ways and tamed the natural savagery of the tongue. For masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.

I'm just remembering myself at 22 or 23. I was all engine and no steering. (Laughter) I had the wheels but I had no steering. I do think it's true that when you're younger, you're more likely to listen to all the naysayers, and people are always telling you how you ought to behave and what kind of job you should get and how you should look.

You have the power to think differently about who you are. You have the ability to turn off the critical voice inside of you. That's not you. That's coming from the culture. That's coming from the outside of you. You've internalized the voice of your parents, your teachers, your friends.

I think it was a desire to be able to find my own voice. I think that was the big urge within me.