I always told everybody the perfect joke would be where the setup and punch line were identical.
Cigarettes are an instant signifier in culture. It punctuates a joke, or puts that extra zing on a punch line. I like them as a prop. I think it can be really useful for character and texture and contrast and all of that.
I'm kind of a nerd. A square. And I'm terrible at telling jokes. I always forget the punch line.
Never go for the punch line. There might be something funnier on the way.
In general, the straight line of a joke sets up a premise, an expectation. Then the funny ending - the punch line - in a sense contradicts the original assumption by refusing to follow what had seemed a reasonable train of thought. Many jokes involve that simple matter of leaping outside what had appeared to be the rules of the game at the moment.
If life's a joke, then suicide's a bad punch line.
I realized that comedians of the day were operating on jokes and punch lines. The moment you say the punch line, the audience either laughs sincerely or they laugh automatically or they don't laugh. The thing that bothered me was that automatic laugh. I said, that's not real laughter.
Too many comics today ramble. By the time they get to the punch line, the audience has either gone to sleep, gone to the bathroom or gone to bed.
Ninety-nine percent is in the delivery. If you have the right voice and the right delivery, you're cocky enough, and you pound down on the punch line, you can say anything and make people laugh maybe three times before they realize you're not telling jokes.
When you're 89, dementia develops. I mean, I've told a story onstage, and I'm telling it with a full heart, and I forgot the damn punch line.
My works were not - and they still aren't - single panel gags with a punch line underneath them. I like a lot of those cartoons; I just don't draw them.
I've always felt that there's a lot of similarity between doing a comedy and doing a scary movie because jokes and scares are all about timing. If you give the punch line too early or too late, the joke falls flat. And it's the same with a scare.
It always seems to someone outside the business that it is very difficult to write for a comedy show because it must be done quickly. Actually, it is much easier to write this humor than to do a joke or a show from scratch, because the audience knows the plot. Just mention what is going on and then deliver the punch line.
A witch, a vampire, and a pixy walk into a bar, I thought as I led the way into the Squirrel’s End. It was early, and the sun had yet to set when the door swung shut behind Jenks, sealing us in the warm air smelling faintly of smoke. Immediately Nick yanked it open to come in behind us. And there’s the punch line.
If you have the right voice and the right delivery, you're cocky enough, and you pound down on the punch line, you can say anything and make people laugh maybe three times before they realize you're not telling jokes.
One must remember that in the '70s, Democrats still grasping for Camelot were desperately pinning their hopes on Teddy while Republicans were doing everything they could politically to turn him into a punch line post-Chappaquiddick. And the idea of Ted Kennedy - rather than the actual man - dominated his political legacy through the early '90s.
My greatest fear is that the audience will beat me to the punch line.
I'm not much for setup... punch line. I talk about my kids. I talk about my wife.
GIFs work because the punch line is instantaneous. It's entirely different from almost any other form of content on the Internet, which takes time to consume.
My father who in this case was an obsessive life-long storyteller, and by a very peculiar trick of my father's. My father would tell a very, very long story, and the punch line would be in Yiddish.
I don't really know what is shocking. When you tell the story of a man who is beheaded, you have to show how they cut off his head. If you don't, it's like telling a dirty joke and leaving out the punch line.
I got into stand-up because I love stand-up. Specifically in stand-up, I love jokes. I love short, structured ideas and a punch line.
Professionals don't get writer's block. I can always come up with the punch line.
Micro humor is a joke that's contained in the writing: it's a punch line, it's a turn of phrase, it's something that you can see on the page, and no matter who's saying it, it is, in and of itself, a funny line.
Comedy is the most difficult. Comic timing is something which you either have it in you, or you don't. You have to have a good sense of humour to be able to understand it. A split second can make you lose the punch.
