Inner Conflicts Quotes

A man who has not passed through the inferno of his passions has never overcome them. They then dwell in the house next door, and at any moment a flame may dart out and set fire to his own house. Whenever we give up, leave behind, and forget too much, there is always the danger that the things we have neglected will return with added force.

The follies of the wise man are known to himself, but hidden from the world.

The strongest passions and most dangerous weaknesses of the human breast; ambition, avarice, vanity, the honorable or venal love of fame, are all in conspiracy against the desire and duty of peace.

A man's subconscious self is not the ideal companion. It lurks for the greater part of his life in some dark den of its own, hidden away, and emerges only to taunt and deride and increase the misery of a miserable hour.

All along, I've been writing about our fears, our longings, our fantasies, our ambivalences. When I decided to study psychoanalysis, I did it because I wanted to understand the psychodynamics of it all. Though far from perfect, psychoanalysis offered me a huge, wonderful window on all that.

The ego represents what we call reason and sanity, in contrast to the id which contains the passions.

Psychoanalysis is in essence a cure through love.

The thing with psychoanalysis is I know basically what happened in my childhood. I know where things went wrong and I know what my mother said at one point and what my father said at one point.

The daimonic is any natural function which has the power to take over the whole person. Sex and eros, anger and rage, and the craving for power are examples. The daimonic can be either creative or destructive and is normally both.

Instead of being at the mercy of wild beasts, earthquakes, landslides, and inundations, modern man is battered by the elemental forces of his own psyche. This is the World Power that vastly exceeds all other powers on earth. The Age of Enlightenment, which stripped nature and human institutions of gods, overlooked the God of Terror who dwells in the human soul.

Hate is just as injurious to the hater as it is to the hated. Like an unchecked cancer, hate corrodes the personality and eats away its vital unity. Many of our inner conflicts are rooted in hate. This is why the psychiatrists say, "Love or perish." Hate is too great a burden to bear.

The germs of all things are in every heart, and the greatest criminals as well as the greatest heroes are but different modes of ourselves.

Behind every erotic condemnation there's a burning hypocrite.

Many a one commits a reprehensible action, who is at bottom an honourable man, because man seldom acts upon natural impulse, but from some secret passion of the moment which lies hidden and concealed within the narrowest folds of his heart.

The things that make you most mad about the world tend to be the things that you hate in yourself.

You say yes to the sunlight and pure fantasies, so you have to say yes to the filth and the nausea. Everything is within you, gold and mud, happiness and pain, the laughter of childhood and the apprehension of death. Say yes to everything, shirk nothing.

The causes that govern the heart appear to be wholly alien to the results achieved. Are the forces that moved a desperate criminal the same that fill a martyr with pride, as both mount the scaffold?

My devils and angels, fears and hopes, insights and stupidities, loves and loathings, are what they are. I don't edit them out so much as try to make them interesting - whether I am talking to you, or writing a poem, or joking with my kids, or speaking on television.

Whatever causes night in our souls may leave stars. Cimourdain was full of virtues and truth, but they shine out of a dark background.

Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these problems can only be depicted. But photographs, private ones and others, keep appearing that fascinate me so much that I want to paint them. And sometimes the real meaning these images have for me only becomes apparent later.

I have a specific set of, I have a specific sort of negative energies to deal with that might be specific to me, but it definitely something that all artists have to deal with at one point or another. But I think for me, it's just maybe more specific.

I study Carl Jung, who talks a lot about the shadow side, the repressed side. I think the scariest thing in the world is repression. There's plenty to be idealistic about, but we have to be aware of all sides of ourselves, and there are definitely shadows in all of us.

I try to employ a different strategy for each story. Often, I'll have a specific look in mind before I even have the story to go with it. I'm not so much interested in forcing the issue of reader identification through various graphic tricks. I'm more interested in creating specific characters that resonate with my own particular inner struggles.

In the human heart there is a ceaseless birth of passions, so that the destruction of one is almost always the establishment of another.

This is why dreams can be such dangerous things: they smolder on like a fire does, and sometimes they consume us completely.