An actor is an impersonator; he plays many different roles. If you played the same role all the time, God that'd be a boring career.
Once I made a boyfriend dress up as Woody Allen from 'Annie Hall.'
I've been doing silly voices since I was a child.
Perhaps it's impossible to wear an identity without becoming what you pretend to be.
My James Bond wasn't any different to my Saint or my Persuaders or anything else I've done. I've just made everything that I play look like me and sound like me.
I've been doing comedy for 20 years now. I started when I was 13 and I think for the first 10 years I was impersonating other people.
When I go and speak now at all sorts of conferences, later in the night there's always a better Maxie Walker than me. Billy Birmingham's legendary for basically being able to verbally kneecap any of a number of Australia's characters, particularly in the commentary box.
When you wear a mask and create a character, nothing will pigeonhole you faster.
I have been portrayed by actors in three television documentaries, two plays, one musical and a film. It's no fun watching yourself being traduced and imitated by an actor.
I was just the perfect person to play the Mini-Me character.
You've got to empathize with every character you play.
It's every woman's tragedy, that, after a certain age, she looks like a female impersonator. Mind you, we've known some lovely female impersonators, in our time.
At castings for commercials, you end up being told to do ridiculous things, such as animal impersonations. You probably get one commercial for 20 utter humiliations.
I do dead Canadians. If he's dead and he's Canadian and he's famous, I'll be playing him at some point.
To be accused of 'channeling' is to be dismissed as a ventriloquist's live dummy, derogated at not having a mind of one's own.
President Bush is a corporation in the White House masquerading as a human being.
Yes, it's true, I've been called the Laurence Olivier of spoofs. I guess that would make Laurence Olivier the Leslie Nielsen of Shakespeare.
Zac Efron is my obsession, we're the same person. We're not actually here, it's like Janet and Michael Jackson. He just puts on his wig and a dress, and it's me, and you don't know that. It's one of the greatest mysteries of all time.
I sounded like Bob Dylan for about five minutes, and it was blown out of all proportion.
I think people understand I'm not actually the real Thomas Jefferson.
No actor wants to play someone else's performance.
I've never played anybody like a cop before.
When I play discos in Belfast or freshers' week in Oxford, there are 1,800 kids dressed as me. It's odd, it's funny, and it pays really well.
What's weird is that I work with these directors and then I start channeling them. I kind of turn into them a bit - which is cool when you're working with Clint Eastwood.
I did accents and funny voices for the family when I was growing up.
