ROBERT LOGGIA

An actor is an impersonator; he plays many different roles. If you played the same role all the time, God that'd be a boring career.

The Italian mafia, they're very [into] construction. They're in a whole different way of operating than they did back in the '20s.

If the guy has a gun, that's the power. He doesn't need to wave the gun; he just needs to point the gun in a very relaxed fashion.

I don't know why it was canceled, but 'Mancuso, FBI,' it should have had a good long run, but it wasn't picked up. Maybe there was a problem with me. I have no idea.

Working with David Lynch was like taking a bullet. A gun at you. 'Lost Highway' is, I think, one of the best films I've ever been in. It'll endure a long, long time.

I can't be under the weight of the character for a 14-hour shooting day. I don't think anybody can do that.

Nevertheless, I tend to get offensive easily.

When you read a script, you don't want to be the same guy all the time, you want to change, you're a different person. That's why acting is a wonderful career. You're not the same guy all the time.

I think a lot of what you do depends on the other people in the cast. It doesn't only depend on you the actor, but it depends on a variety of things, what the other actors are like.

I think there were some dubious feelings about it, that the first 'Scarface' would not be surpassed by the second 'Scarface.' We were wrong; it surpassed it. The acting talent, the cinematography - we were propelled into a real class action film. Long after I kick the bucket, it'll be played.

An actor is an impersonator; he plays many different roles. If you played the same role all the time, God - that'd be a boring career. When you take on different roles and become a different person, that's called acting... It's a challenge.

Working with David Lynch was like taking a bullet. A gun at you. 'Lost Highway' is, I think, one of the best films I've ever been in. It'll endure a long, long time.

I can't be under the weight of the character for a 14-hour shooting day. I don't think anybody can do that.

I think there were some dubious feelings about it, that the first 'Scarface' would not be surpassed by the second 'Scarface.' We were wrong; it surpassed it. The acting talent, the cinematography - we were propelled into a real class action film. Long after I kick the bucket, it'll be played.

I don't know why it was canceled, but 'Mancuso, FBI,' it should have had a good long run, but it wasn't picked up. Maybe there was a problem with me. I have no idea.

John Huston is more of a creative director than most.

Nevertheless, I tend to get offensive easily.

We rehearsed our 'Scarface' to the nines. Long period of rehearsal, so that by the time we started to shoot, it was almost like doing a play. We all had a grand time doing it. It was a wonderful cast.

Lesson number one: Don't underestimate the other guy's greed.

When you play somebody, you pick up a lot of their gestures, his voice, the way he speaks, his body language. You don't often get that opportunity.

The Italian mafia, they're very [into] construction. They're in a whole different way of operating than they did back in the '20s.

I think a lot of what you do depends on the other people in the cast. It doesn't only depend on you the actor, but it depends on a variety of things, what the other actors are like.

If the guy has a gun, that's the power. He doesn't need to wave the gun; he just needs to point the gun in a very relaxed fashion.

When you read a script, you don't want to be the same guy all the time, you want to change, you're a different person. That's why acting is a wonderful career. You're not the same guy all the time.

When you take on different roles and become a different person, that's called acting ... It's a challenge.

An actor is an impersonator; he plays many different roles. If you played the same role all the time, God that'd be a boring career.