Guitar Culture Quotes

I remember when I was coming up, the music stores where you could get guitar strings was where I got my records from. Now the place where you get your records from is where you can get your DJ mats and your mixers.

My father had played the guitar when he was young, and my uncle Jack had worked for Kalamazoo, before the war, developing guitar pickups. So there was a kind of family thing about the guitar, although it was considered something of an anomaly then.

When I was 15, I became an avid fan of Andres Segovia. He brought so much respectability to the guitar.

I've always been into guitars... we want to put keyboards on, but keyboard players don't look cool onstage, they just keep their heads down. There has never been a cool keyboard player, apart from Elton John.

I was the only kid reading guitar magazines at the back of the classroom.

When I was a teenager in the '80s, I was the only girl in the guitar shop. Now if you walk into a music store, it's mostly teenage girls. It's great! It's an expansion of possibilities for young women, finding a way to tools even if they aren't directly handed those tools by adults.

I assume most guitar players are like me. They're playing, having fun; then they get a magazine in the mail that says "Shred Is Dead" and they say, "What the Hell?" They throw it away and keep on playing.

I want every girl in the world to pick up a guitar and start screaming.

I'd like to be able to get more girls to play guitar. I think with a girl playing electric guitar, sometimes it's seen a bit like a guy doing ballet. All the people I learned guitar from have been guys. There are some great female players, like Bonnie Raitt and Jennifer Batten, but very few.

Everywhere I go, there are all these Big Star freaks, and they’re nice little guys who are usually in college, and they’re kind of lonely and misunderstood, learning to play guitar.

I come from a big family of musicians, so I was lucky enough to grow up with guitars all around the house. Even though I didn't really know much at the time, my brother had a Les Paul Goldtop, and my dad always had this Fender or some bizarre Pedulla-Orsini guitar.

People used to trade their guitars to get new ones; I never traded anything.

As far as being a 'player's player,' you've only got to go to Nashville or Argentina and you can forget about it. The world is full of amazing guitar players, and you know it, and I know it...it's a humbling experience.

I sometimes feel a bit embarrassed to play guitar. There's something - I don't want to sound ungrateful - but there's something very old-fashioned and traditional about it. You meet kids today whose grandparents were in punk bands. It's very old and traditional, but then, so is an orchestra and so is a string section.

I've owned about 2,000 guitars through the years because I've traded a lot and given away and sold some stuff.

Describing certain sounds, there's a common language that guitar players have.

I bought all my friends guitars and I had a good time with my money. But then one day the IRS came knocking.

Some people are drawn naturally - there are natural guitarists, and there are natural piano players, and I think guitar implies travel, a sort of footloose gypsy existence. You grab your bag and you go to the next town.

The history of music is mortal, but the idiocy of the guitar is eternal.

I still believe guitars will be around as long as there's rock music.

Elvis Presley was the big bang. He was the most influential single figure in the history of American pop culture. He changed the way we looked, thought, dressed, held a guitar. He didn't invent rock & roll, but he defined it in a way that everyone who followed him owes him a debt.

I grew up around guitar players.

The future of the guitar is every bit as important as its past.

At my high school, there were always kids carrying acoustic guitars around, which is why I named my band the Mountain Goats. I didn't want to seem like one of those guys who brought his guitar to the party whether you asked him to or not.

Albert Lee and I have become real close friends, and he comes out anytime I'm in the L.A. area, and he'll sit in for the whole show ! ... we've got a habit of doing that ... in Austin Redd Volkaert does the same thing ... it's fun ... I love to make it a guitar thing and the audience doesn't know any different - they think he's some new band member they don't know. They don't realize Albert's the reason we all play Teles!.