Genre Adaptation Quotes

I've always been a fan of science fiction films, and I've never been able to put my particular spin on it.

[Jazz musicians] couldn't cut rock. I had to be more limited and specific about what I was doing.

I was competing for attention in a four-piece band that was phenomenal, and I was trying to attack the blues from a kind of white English viewpoint as a singer.

It all comes down to what is best for those particular genres, and if you believe in the stories that you're telling and the characters that you like that you want to tell those stories with, you can pretty much apply it to any genre.

Constantly, I've been asked to make a sequel to 'Beckham.' However, I thought a West End show was the proper way to go. Once we made the show, I wanted to make sure that I embraced the West End genre rather than just put the film on stage.

Hollywood cools, and when it cools you have to go to where the work is. I ran off to Italy to do spaghetti westerns.

I got a crash-course education in urban fantasy. I suddenly had to look up all these other writers I was supposed to be in a genre with. I instantly had to become an expert in this genre I knew almost nothing about.

You know, every year 'Torchwood' has become something a little different than it was before. It's still sci-fi, but it doesn't just deal with spaceships and aliens all the time, because we've done that. Our science fiction is more psychological.

No one can make the album they made 10 years ago with a straight face. There are two reasons: one is you change as a person. To be a true artist, I have to be true to who I am now and write that way. And the second thing is these are different times.

I don't try to approach things any differently, songwriting-wise, regardless of what I'm doing. I try to write whatever the best thing is that I'm doing that day. If I'm working on a pop song, I'm working on a pop song to the best of my ability. If I'm working on a bluegrass song, it's the same thing. They're not really different parts of the brain.

Finally I started really opening up as a songwriter and an interpreter and taking songs from all kind of genres and stripping them down to just lyrics and the story inside the lyrics, and trying to make them really mine.

I think the genre of musical theatre, when it started, the pop songwriters of the time were writing the music. I think sometimes when we write musicals now, we keep writing in that same style, as though that's the musical theatre genre... We have to figure out how to tell stories with the music that we listen to now, or we'll lose our audience.

Light and funny has a more compelling quality when you're younger. But I haven't abandoned the genre: I love falling down; I love Lucille Ball. It's just that a lot of those stories revolve around problems that I can't convincingly portray at this age.

If I like dubstep and electronic, why don't I make the violin fit me rather than making myself fit the violin?

Whatever the genre of film you're doing and whatever the source material is, you have to adapt to the different genre, but it's the same work, as an actor. You're just trying to ground it in reality and find your truth in it.

It's not easy to take a sit-com and turn it into a feature.

I know it's dangerous to say you want to do something different with a genre because people always take that as an insult to the genre.