When you start a show, the plans are not set in stone. They're really mutable, cocktail napkin sketches.
Golf is fluid. It's always changing. It's always evolving. First of all, you never master it.
Yung Lean is like water: he's always changing due to the temperature, how he's feeling.
Water's never clumsy.
Gee, what a terrific party. Later on we'll get some fluid and embalm each other.
I can honestly say that I am open to love in any way. I guess that makes me bisexual.
Nature is a mutable cloud which is always and never the same.
My heart is fluid and soaring. There's no longer any space between heartbeats.
I have to drink a lot of fluids, try not to dehydrate, and keep stretching.
Nothing is rigid, and everything is movable.
What is the future? What is the past? What are we? What is the magic fluid that surrounds us and conceals the things we most need to know? We live and die in the midst of marvels.
I don't like things set in stone.
'Torches' flowed together with interesting intros and outros. It was all very natural.
When we write about our lives we respond to them. As we respond to them we are rendered more fluid, more centered, more agile on our own behalf. We are tendered conscious.
Every bit as visceral and hypnotic as its award-winning predecessor, On the Ropes is a tour-de-force of fluid, yet detailed storytelling.
It is so important to stay hydrated when you fly.
A man in a desert can hold absence in his cupped hands knowing it is something more than water. There is a plant whose heart, if one cuts it out is replaced with fluid containing herbal goodness. Every morning one can drink the liquid amount of the missing heart.
If history in the making be a fluid thing, it swiftly crystallizes.
Sperm is a bandit in its pure state.
What do I want from a book? Something protean, something always on-the-move-or-make - shape-shifting, semantically-and-syntactically-shifting.
The only weight I ever lifted weighed 24 ounces. It was a Schlitz. I always replaced my fluids.
It is the city of mirrors, the city of mirages, at once solid and liquid, at once air and stone.
Honestly, live is my favorite way of performing. Every show is a completely different energy. With recording, it's not really as organic as it can be. But I feel like I'm a lot more fluid, and I can be a little bit more aggressive.
I have an immature, Homer Simpson-like tendency to giggle when I say the words 'seminal fluids' in public.
You could put this record on and not get jarred half-way through. I wanted it to be all cut from one cloth, and that was the way we took it through the whole production process.
