Exploitation Films Quotes

You know, the art films would usually be more, I mean the exploitation movies would usually be more lurid, but not that much more. I mean, actually back in those days that was what foreign films had. They had sex, they were selling Laura Antonelli.

I was not into B-movies. A lot of it is sloppy.

Everybody's got to work with Roger Corman. You can't leave out that experience.

There's people saying that 'Jackie Brown' was a blaxploitation movie, when there's nothing at all blaxploitation about it other than Pam Grier being in it.

I throw it all in there, Kung Fu, blaxploitation, horror.

I'd love to be a filmmaker and look back and be like, 'Ah, man, we were part of that whole '80s video nasty thing!'

I don't know - personally, I don't watch many films where the violence itself is the main entertainment, because I find them boring.

When I was a kid, my pop used to take me to the double feature. He would take me - I had two brothers - and we used to go in the early '80s and check out these grindhouse movies - a double feature, sometimes a triple feature.

For me, Mexploitation seemed like something that should have existed, but didn't.

'Jaws' was the first A-list picture that was released like an exploitation picture. They made a lot of money with that picture because they could save a lot of money on advertising. Instead of having a full-page ad in 'The New York Times' for one theater, they had it for 100 theaters.

I'm obsessed with horrible movies.

What happened when 'Sweetback' made all that money, the studios were in a very difficult position. They wanted the money, but they didn't the message. This marked the advent of the caricatures which became known as blaxploitation.

I remember the early 1980s, when I first got one of these fabulous film critic jobs. The downside was sitting through 'Splatteria III: The Dismembering of the Clampett Clan' or 'The Oklahoma Meatgrinder Massacre' or some such. The headaches unleashed by watching attractive kids die week after week after week cannot be imagined.

Oh gosh, well, you know, growing up in the '70s being a young boy there, you know, there were still exploitation movies, where, you know, were, you know, still opened up every week and, you know, played - sometimes they would play it at the local, you know, mall theater.

I love movies that are just straight-up exploitation, but the ones that endure and the ones that last are the ones where the filmmakers put in that extra level of thought; after 25 years you put them on in front of an audience, and they'll respond to it and enjoy it.

I like zombie movies, and I like genre movies a lot. To watch. Less so to make, I think. But I grew up on that stuff. I would just grow up watching a lot of horror movies, a lot of slasher movies and then zombie movies.

I read someplace that I used to make B-pictures. Hell, they were a lot farther down the alphabet than that . . . but not as far down as R and X. I think any man who makes an X-rated picture ought to be made to take his own daughter to see it.

I loved the idea of the fact that the way, like I said, they colored outside of the lines. You know, there was rules that they didn't have to follow. And you got -you got - you could get more of a sensational thrill, all right, with some of these exploitation movies or art films, or you could get something you wouldn't see at the normal cineplex.

I was introduced to cinema by C-grade films that played in my village, Budhana, in UP. Only films by Dada Kondke, Mahendra Sandhu, and Kanti Shah were available.

The 1960s and 1970s were the real years for independent film, because they were really independent. Plus, there were hundreds of distributors. There were all these companies that basically did exploitation, but they were independent. Now, there are very few independent distributors.

My wife and I are connoisseurs of films but in opposite directions. She's a connoisseur of really good, classy foreign films. I'm a connoisseur of really bad, cheesy horror movies - so-bad-it's-good horror movies.

I didn't watch horror movies when I was a kid. I didn't watch any bad movies.

I don't like gratuitous violence. I don't like the 'Saw' movies. I don't like the 'Hostel' movies. I don't like anything that is violence for violence's sake.

Exploitation films were famous for taking an issue an exploiting it because they could move much faster than a studio could. If there was any hot topic, they would run out and make a quick movie and make a buck on it, by changing it around and using it, in some way, to give some relevance.

Give me B movies or give me death!