I'm impressed with how the NBA, as a whole, is dressing so well. Guys are being very creative and having fun with it.
I try to be extra creative with the colors and textures I wear during fashion week. It's not for street style, though; I just like dressing sometimes.
It's always been hard trying to find the right pieces that go together, but it's always been something that interests me - finding new ways to be fashionable and cute but still being modest.
I developed a pretty unusual style, I think.
The difference between one writer and the other, or one director and the other, is the way he deals with a scene.
I don't usually collab with producers, because I don't need to. I never have, because I don't want to break my style of how I do things.
I guess I'm kind of a sucker for the emotion of music. I guess it's kind of odd, but it's the way I appreciate music. I present my stuff that way as well.
Kali Uchis is a dope person. Her voice, her style - she's so unique.
Sketching is almost everything. It is the painter's identity, his style, his conviction, and then color is just a gift to the drawing.
You ready? I have gold teeth, I have braids, I'm wearing Rick Owens moon boots, I have rips in my denim, a biker vest, I love artsy girls, my favourite artists are Jimi Hendrix and John Lennon. I'm obsessed with being different.
I think it's boring when everybody wears the same brands or the same styles, and it's like, 'Oh, this is the new trend.'
We weren't art students, but we definitely created our own style and were pretty influenced by Andy Warhol and all the stuff we read and saw and made fun of, you know.
All my music sounds the same to me.
It is important always to have really original talent. There are lots of good designers that make attractive clothes and make women look beautiful. But at the same time, one doesn't want to lose the idea that there is someone out there who can change the way you look at fashion.
Even for the people in the business who are real music lovers it's really about putting things in the right boxes, and my style doesn't fit into a box.
I think Amy Sherman-Palladino has a very specific voice; it's unlike anyone else on television.
I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
Be true to what you want to say, or whatever style it is that you've chosen or genre you've chosen. Do it well! My criteria always has been that the piece must stand the chance of succeeding on the level it's intended to succeed on.
When you're talking about Tim Burton, you're talking about a guy that has such a visual sense, an aesthetic, a storytelling style. It's like he's got his own genre.
There's a consistency in my work that pops up independent of the limitations of the technology.
I have a lot of vintage, so my style is pretty eclectic of different time periods and styles. I would describe it as comfortable, creative, and vintage.
I've loved fairytales, folklore and mythology since I was a small child, and I think it was inevitable that they would influence my style and my development of stories.
I think the Europeans are a lot more spontaneous, more artistic to some degree. But I don't think they have the technical talent we do here in the states. Here people have been trained much more specifically - they know exactly what they're doing. The Europeans are perhaps slower, but in the end damn near as good.
It's true that I tend to daydream. I'm the same person in business as I am in music: I can be distracted and absentminded. It's my style.
For me, it's really day to day. I don't really plan ahead and I like to be excited about what I'm wearing. Being on the road all the time, it's various articles of clothing that keep me inspired and feeling good. A fun or beautiful thing to wear can change your day. I think spontaneity and not adhering to any narrow styles keep me happy.
