LEE VAN CLEEF

Bad guys have always been my bag... I look mean without even trying.

Audiences just naturally hate me on screen. I could play a role in a tuxedo, and people would think I was rotten. You can do much more with a villain part.

I tried to learn the languages - Italian, Spanish, and German - not to successfully. Working on a European set isn't a hell of a lot different from working on an American set.

One day, something happened. It made life very precious to me.

I'll never kick dogs, I'll never hurt a child, I'll never slap a woman - three things I won't do on film.

Being born with a pair of beady eyes was the best thing that ever happened to me.

If I could direct it [films] I would be very happy. But the economics of business don't always allow you to do what you want.

Movies are full of leading men, most of whom aren't working. It's much harder to find a good villain.

I think the Europeans are a lot more spontaneous, more artistic to some degree. But I don't think they have the technical talent we do here in the states. Here people have been trained much more specifically - they know exactly what they're doing. The Europeans are perhaps slower, but in the end damn near as good.

A lot of actors think that the more lines they have the more attention they get. That's bullshit. I make people look at me. I don't have to say a lot of words.

Being born with a pair of beady eyes was the best thing that ever happened to me.

Movies are full of leading men, most of whom aren't working. It's much harder to find a good villain.

Audiences just naturally hate me on screen. I could play a role in a tuxedo, and people would think I was rotten. You can do much more with a villain part.

Bad guys have always been my bag... I look mean without even trying.

I'd like to do more comedy, but i think my forte is still in the heavy. I'd love to do a comic lead, a musical.

I tried to learn the languages - Italian, Spanish, and German - not to successfully. Working on a European set isn't a hell of a lot different from working on an American set.

I think the Europeans are a lot more spontaneous, more artistic to some degree. But I don't think they have the technical talent we do here in the states. Here people have been trained much more specifically - they know exactly what they're doing. The Europeans are perhaps slower, but in the end damn near as good.

If I could direct it [films] I would be very happy. But the economics of business don't always allow you to do what you want.

A lot of actors think that the more lines they have the more attention they get. That's bullshit. I make people look at me. I don't have to say a lot of words.

I'll never kick dogs, I'll never hurt a child, I'll never slap a woman - three things I won't do on film.

One day, something happened. It made life very precious to me.

You go where the work is. It can be in my own back yard, Israel, Spain, or Yugoslavia. We may have the greatest technical efficiency in the world, but our artistic values are not necessarily the best.

I don't care where I work. Films are an international business - not an American institution.