Content Accessibility Quotes

Premium content matters.

As a creator, I want my content to be where people can watch it.

My kids watch everything downloaded; they have no idea what the numbers or the names of the channels mean, except, 'FX makes the show that I see on my computer.' So it's harder to get a show on the air, but at the same time, there are a lot of terrific shows.

I don't really care how people read. I care if people read.

I want my channel to be a place people go even if they don't care about Lilly. I don't want them to have to know about Lilly or care about me as a person to enjoy my content.

Yes, people will pay for the Fox News Channel, despite the fact that the general feeling, one created by the Internet, is that everything should be free.

The way that we're consuming what we watch. Netflix, binge-watching, destination agnostic were not terms. It was about networks, times, dates. Even with feature films, you had to see it this way, in this capacity, at this time. All that has changed. Now it's really about the story. It's a gift that I became a storyteller at this time.

Netflix has always had this interesting ability to get non-mainstream content to be watched by the mainstream.

The thousands of clips on internet are better to us than any DVD that could have been released.

Most of the books, music and movies ever released are not available for sale, anywhere in the world. In the brief time that P2P nets have flourished, the ad-hoc masses of the Internet have managed to put just about *everything* online. What's more, they've done it far cheaper than any other archiving/revival effort ever.

Don't seek to be published, seek to be read.

People want to watch whatever video they want to watch whenever they want to watch. If you provision your Internet infrastructure adequately, you can do that.

Phone companies recognize that the pipes are not enough anymore. You need something to go through the pipes. You need content. I think the consolidation will continue. A huge development is mobility. We want the content where we are....producers need to be where the consumers want them to be.

We tend to think of Steam as tools for content developers and tools for producers. We're just always thinking: how do we want to make content developers' lives better and users' lives a lot better? With Big Picture Mode, we're trying to answer the question: 'How can we maximize a content developers' investment?'

I'm perfectly happy for my videos to be on YouTube, whether I'm getting paid for them or not. If they're on YouTube, people will see them. If for some reason my videos get taken down from YouTube, well, I apologize. If it was up to me they'd all be up there and they'd all be free.

I don't like watching things where I think the people onscreen are ahead of me or assuming I know something that I don't know.

Equally important to having the right content is providing the proper tools for the users so they can quickly find the images and videos they need.

I think streaming, in general, is democratising music in general.

I want to try to have as many people as possible interested in my content, so it needs to go across language barriers.

I'm not one of those people who only believe in the Netflix model. I go see films in the theater and love that experience and don't want it to ever die. But I like that Netflix exists, and you can discover so many different types of movies and TV and content you wouldn't have access to.

People have paid for content. They always have.

Think of any news site on the web that sells subscriptions; AOL has four times as many people as the largest subscription service. We have people who pay to use our products and services, and they are heavily engaged in our content.

There's a lot of content out there that's for an older audience but what struck me was that people who like those grittier, slightly punchier shows could still watch this but with their children as well.

The days of holding the audience captive to watching television at times that programmers tell them they have to watch it are coming to an end. It's a new world, where the viewer and fan wants to watch whatever they want to watch, whenever they want to watch it.

The difference between television, films and the web is that unlike the former, the latter is not appointment viewing. You decide the time you want to watch and how much you want to watch. The web is for the viewer.