It's ludicrous to think people work for you: 'a film by...' doesn't exist. Directed by, maybe, but it's a film from a collective, a group of people whom you consult and seek your counsel and advice and vice versa, too.
One country, one constitution, one destiny.
… utopianism is probably a necessary social device for generating the superhuman efforts without which no major revolution is achieved.
A team aligned behind a vision will move mountains
I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.
When I was a kid, there was no collaboration; it's you with a camera bossing your friends around. But as an adult, filmmaking is all about appreciating the talents of the people you surround yourself with and knowing you could never have made any of these films by yourself.
In order to serve its purpose, a vision has to be a shared vision.
Architecture is a rare collective profession: it's always exercised by groups. There is an essential modesty, which is a complete contradiction to the notion of a star.
Together we can build the Michigan we believe in, because we still have what we need most - the strength, the talent, the vision and the grit of the incredible people of this state.
Economic gains on their own, without a vision for society to accompany them, will result in a squandered prosperity that will ultimately be unsustainable.
Don't you ever orget that in the end, our future is tied to people, that it's more about ideas than a tax.
Let's start to have a grown up debate in this country about who we are and where we want to go and what kind of country we want to build.
The imagination is the goal of history. I see culture as an effort to literally realize our collective dreams.
I'm better suited to be a director, I think. I see myself as the general author. I hate the word 'auteur,' because it sounds so solitary when filmmaking is anything but solitary.
Follow those who follow something bigger than themselves - an idea, a belief, a vision, a cause. Run away from those who say we need to follow them.
A community that sees so clearly its own disadvantage or its own hardships also has a harder time seeing its potential: its ability to work together to change the community and change their lives.
Our challenge is to remind ourselves that we do have common interest, common grounds, and common dreams.
I'm so motivated to collaborate with people and help them realize the kind of collective vision.
When a film works, the director had a lot to do with that, but the director also didn't have a lot to do with that. There are so many moving parts. It's really about being open to how the river is flowing and trying to get on the river.
No one person is the author of a Bourne film. The truth is it's a coalition of people who share the same vision for Bourne and his world, and we... its remarkably collaborative and collective.
What I love about low-budget movies is my interests and the director's interests and the actors' interests are aligned. No one makes money unless the movie works, and that informs every creative decision.
I love ensemble work. I love making pieces and building things together.
I think directing in a team is a really good idea because it stops the cult of the director as God straight away, and also you're discussing things on set so it opens it out to everyone and it becomes a totally collaborative thing. And you have someone who supports you when you're feeling a bit insecure.
When we were making Flickr, we called it the 'Eyes of the World.' The idea was that everybody, everywhere, is looking. It was this sense of being able to penetrate worlds that you had never been able to access before - of global, universal travel.
To keep on collaborating with my friends from Cecile Believe and FluCt who inspire me a lot and who are part of the team putting this whole show together. I'm excited to have that kind of play.
