Class Representation Quotes

In the U.K., working-class lives are depicted with the characters' humour, but in the U.S., people with difficulties are often depicted with pious or simply dreary lives.

Class is often invisible in America in the movies, and usually not the subject of the film.

As a viewer, I'm personally less interested in the damaged, white, middle-class male figuring out his dreams and more interested in maybe an underdog figuring out how they're going to survive in a world that doesn't necessarily invite them in.

Unless the people can choose their leaders and rulers, and can revoke their choice at intervals long enough to test their measuresby results, the government will be a tyranny exercised in the interests of whatever classes or castes or mobs or cliques have this choice.

I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.

The situation is that in Germany capitalism has remained, classes and class struggle have remained which all the same will break into the open, which includes also the field of struggle of parties representing opposing classes just as it broke through in, let us say, Spain.

No newspaper which is supporting one class of society is independent.

I'm one of the only members of the U.S. Senate who isn't a millionaire. And there's absolutely nothing wrong with being a millionaire. But there ought to be a little economic diversity in the Senate and I try to provide it.

I make films about working class people. All my films have always been about that. For example, the brothel is a workplace. It's aberrant, but a workplace nonetheless. I was more interested as opposed to glamorizing and saying, oh, this is a great erotic place, it's a place of business. The commodity is sex.

There has been a tendency only to deal with a certain social class when it comes to stories more than 100 years ago.

It's interesting that we assign the label 'political' to art that doesn't just fit a mould of status quo. Is 'Downton Abbey' not political? That's political! Every piece of art offers a perspective on the world. And what is politics if not a perspective on the world? 'Downton Abbey' is about class. It's also about race.

It's like, sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality.

I think there's a tendency in England, when you look at the past, to either have upper middle class period drama with its own rules, or if you're going to look at working class people, you have to do that in a particular 'Isn't it a shame, aren't they oppressed' way, or it's treated comically.

I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.

In 'Fugly,' I play a very middle-class guy with whom anyone can relate. At the same time, playing such characters is not as easy as it sounds.

The Democratic Party is supposed to be the party that looks out for the working-class citizens.

Several people, not just reviewers, took me to task for writing about what they called the working classes - something I've been doing for 40 years. I thought that was contemptible - what do they want to do, ghettoize the working class as a subject? Can you only write about your own class? I've written about royalty, am I not allowed to do that?

When Truman Capote wrote from the perspective of condemned murderers from a lower economic class than his own, he had some gall. But writing fiction takes gall.

Not the number of noses, but the magnitude of interests, should furnish the elements by which the proportion of representation should be computed...The classes that represent civilization, the holders of accumulated capital and accumulated thought have a right to require securities to protect them from being overwhelmed by hordes who have neither knowledge to guide them nor stake in the Commonwealth to control them.

Lord Salisbury constitutes himself the spokesman of a class, of the class to which he himself belongs, who'toil not neither do they spin'.

Since I still think of myself as a middle class guy, people get to see that side of me in films like 'Middle Class Abbayi.'

Armchair poverty tourism has been around as long as authors have written about class. As an author, I have struggled myself with the nuances of writing about poverty without reducing any community to a catalog of its difficulties.

I remember when I took the role on E.R., I thought, 'I haven't really been able to play a working class woman. I've played girls, I've played funny, but I haven't played a working class woman. That sounds like something I'd like to do.'

Too much of Indian writing in English, it seemed to me, consisted of middle-class people writing about other middle-class people - and a small slice of life being passed off as an authentic portrait of the country.

Woodfall wasn't deliberately telling working-class stories, but John Osborne and other writers who were involved with them were writing those stories, which had never really been written before. The working-class person always had to have an accent before, was often a joker, and peripheral. At Woodfall, they were driving the film.