I became a chameleon. My color didn't change. But I could change your perception of my color.
I'm a bit like a chameleon with my accent.
Words are chameleons, which reflect the color of their environment.
I'm really drawn to chameleons; I'm really drawn to people who can play a wide range of roles, who are really versatile, but are so in a way that's with ease.
I'm like a chameleon. I adapt to my situation. It's very slowed down here. I like it that way. I'm a guy that's very reserved, quiet and shy myself.
I like being like a chameleon who transforms himself with each role.
Unfortunately, I think I drifted so much growing up that I don't have a strong sense of identity. I don't feel at home anywhere, and because of that, I think I'm more of a chameleon.
[Describing the executive branch:] ... a chameleon taking its color from the character and personality of the President.
If you look at my iPod, I've got so much different music. I think that it kind of describes me as a person, just being a chameleon to whatever particular environment that I'm in.
Me, as a person, I grow. I'm like a chameleon. You know? That is a gift and a curse for me. But more so a gift, because it never puts me in a box.
I would say that I have an aspect of my personality which is that I have no personality. That's why I work as an agent. I have the assumed personality of the people I represent. I am like a sponge.
I think what I do really well is that I can 'chameleon' myself into many styles at a very fast pace, sometimes in the same verse of a song.
I'm a chameleon when it comes to languages.
For me, actresses are constantly chameleons, and so they are taking a backseat to their own personality. I don't feel like we're trying to show off their personality as much as let them be a blank slate. It's precisely the reason why I dress more musicians than I do actresses.
I'm a chameleon. I can change my voice a lot. I always was able to, because in my family's music, I was a harmony singer, and harmony singing is really hard.
We are like chameleons, we take our hue and the color of our moral character, from those who are around us.
I've learned a lot from being a chameleon, sort of adopting the musical personalities of who I was playing with.
I have a chameleon quality and I'm able to transform completely to different looks from different decades, depending on the hair colour or make-up change.
I'm like a chameleon. I can kind of change and get my game going to whatever the situation is. If I play well, which I don't think I've even reached yet at all in this tournament, it's really hard for anyone on the women's tour to beat me.
It's funny. I change depending on what I'm around, and who I'm around. I've always been like that.
Ancient, woman-centered words and beliefs never, like, fall off the planet. Having long done taken on a life of their own, they - like womankind - evolve, and survive. Chameleon style.
The poet must be free to love or hate as the spirit moves him, free to change, free to be a chameleon, free to be an enfant terrible. He must above all never worry about this effect on other people.
I like track suits and sometimes to be suited up. I like to be like a chameleon.
The whole chameleon thing about acting. That's why I'm moving towards directing - it's a much more healthy occupation.
I become a chameleon for wherever I am.
