It's hard to dance to really fast music. All you can do is pump your fist to it, and after a while, you're going to have a seizure.
If I have to hold a note for a long time, I imagine it as moving and spinning, for the note has to have life. In a way, a singer actually refreshes a note with every beat that it's held.
I'd never been around a capella or really knew much about it. I feel like I know a lot about music, but what I didn't anticipate is that when every actor has to sing a different part and then do all their choreography on the same beat or on the same word, it's really hard.
I put a metronome up to all the songs, and I tried to really keep it true to the original tempos.
You can always tell when the groove is working or not.
Sometimes I will slow down the beat for one bar on purpose, just to see if the rapper can adapt his flow and stay on beat.
The only way a drum machine will get out of beat is for you not to pay your electric bill.
Music is...the coordination between man and time.
I learned it was crucial to play right on the edge of the beat... It makes you drive the song more. You're ahead of the beat, but you're not.
I hate click tracks. I'm to busy in the click track to feel my own heart rhythm, my own soul beat.
Each track has to be precise, and that is a problem on a rhythmically complex track like 'Slaughtered.'
Music always has to do with vibrations for me. I love to record everyone's heartbeats, in way. None of us beats at the same pace and a song is a magical moment where different entities, for a split second, meet up.
I hate click tracks. A lot of people I know like to use click tracks. Like my son is perfect on the click tracks. It makes me to edgy.
