Body Movement Quotes

I've got a good first step and things of that nature. So it's just about using your body to make the defense play at your tempo and react to you.

Crunches are my go-to. I do 100 crunches in the morning and at night to get myself going and get my body moving.

I tap dance.

When you're using your upper body to live, you get to know how to move every muscle.

From the moment I open my eyes, I'm trying to free my body. I'm trying to get looser, more flexible, to gain control. Movement is medicine to me.

I don't think I see the way bodies move in any special way. People say I do, but everybody moves. I don't see why all of a sudden I'm a specialist in the way bodies move.

Dancers know how to move their arms and their hands. But I don't know the first thing about how to move my arms and hands gracefully.

I dance all the time. I'm almost constantly moving.

My job as art critic is to watch artists dance naked in public, and then I will, in turn, dance naked critically in public.

Your core holds you upright; it helps you bend and twist and jump; it helps you transfer power through your body; and it strengthens your posture, whether you are batting, sitting at a desk or running around a park.

We do a lot of twisting and turning in our training. Those types of moves really help get the body moving and make sure we're staying agile, which is so important in the ring.

If I hear dance music, my body starts to move. Whatever the dance music is, I can't help it. With all that, I still felt, well, rock is a little higher art, but it wasn't. Right now, because I have so much experience with dance charts, I started to realize that it's incredible art. This is going to be known one day as high art.

Rhythm is born in all of us. To be a desirable dancing partner, you don't have to do all the intricate fancy steps that happen to be in vogue. All you have to do is be a good average dancer, and anybody who spends the time and effort can accomplish this.

Don't look at your feet to see if you are doing it right. Just dance.

Ma'am, I'm not tryin' to be sexy. Ah didn't have any clear idea of trying to sell sex. It's just my way of expressin' how I feel when I move around. It's all leg movement. I don't do nothin' with my body.

My body was so instrumental to how I took pictures: it was practically a dance. I used to use my legs a lot; now I'm a little more sedentary.

The body becomes the carrier for the work. It's not really about the physical body; it really becomes the apparatus that carries and moves the work. I don't really consider the body as much; I look at it as a tool.

I really like the structure of my body. It moves well, it looks good, it photographs well, it understands gesture and nuance.

I make music for the hips, not the head.

Movement is exercise. Seemingly simple things - taking a walk, for example - can be just the spark your body needs to get back on a healthy track.

Often I have to move my body in a certain way, like exercising, to begin to get into the right rhythm for writing a song.

I have a flexible body.

The trick of Afrobeats is it doesn't just move your upper body, it moves your hips as well, and I think that's what people have been missing in popular music for a while. I think that's what people need around the world.

No lens is quick enough to track the movement of the human body. The molecules are always moving.

Jazz is the music of the body.