Trust me, I did not set out to establish three pen names and, for the record, I do not recommend it as a career strategy. The idea back at the start was that I would stick with the name that proved most successful.
I'm basically a know-it-all, and I'm writing a book about it. I want it to be called 'Danson on Water' and have me on the cover in this Christlike pose, standing on the water.
My e-books sales have overtaken everything else, so I think all the marketing has become very much driven by the author now because of social media.
Start writing the things that you are reading or that you want to be published doing.
I'm constantly obsessing about brand. I think of my books in terms of brand. I think of my blog articles in terms of branding. How does it fit my branding? I think in terms of demographics.
If you want to publish two books a year under your own name and your publisher doesn't, maybe you need a different publisher.
My editor picked out the name she wanted. I was either going to be Kim Harrison or Lisa Harrison, because she wanted me shelved right next to Hamilton.
I am particularly wary of authors who put themselves on the cover of their own book.
I am often asked why I use a variety of pen names. The answer is that this way readers always know which of my three worlds they will be entering when they pick up one of my books.
When I was first writing 'Feed' - which was the first book I published as Mira - I talked about it very openly on my blog, on Twitter, that I was writing this book, and it wasn't until after it was sold that I said 'Mira Grant' wrote this book. And the reason there was really purely marketing-based.
When I began writing in the mid-1960s, I thought it was not important for readers to know whether I was male or female. Also, I was a great admirer of E.B. White, so I may have thought that it would bring me luck to submit my first manuscript as 'E.L.' But if I were starting out today, I would use my first name.
Writers of fiction should stick to writing, not pop up on panel shows or as a talking head.
It's hard for a newbie author to get noticed.
I think authors like me are always struggling with the idea that they should have a brand and a Facebook author page and they should get Twitter accounts. I don't know what to do with them.
I do tend to look at my books in many ways as conceptual fiction, even to the point where I think the author's photograph is part of the package. And I have gone out of my way to select the photograph to connect to the subject matter of each book.
I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
Sadly, I don't think books ever sell based on your name alone - the minute we make an assumption like that is the minute it all goes horribly wrong!
I've mis-signed many a book Rollins or Clemens. My readers quickly become aware. Booksellers will often promote me under both names, and I do plug both at signings. Generally, the fantasy reader has no problem going into the suspense genre. It's harder for the typical suspense reader to go the other direction.
I've always viewed myself as a brand. When I started 10 years ago, that was very controversial. 'Marketing' and 'PR' were dirty words for the literary world, but that has changed. Once the book is finished, I want as many people as possible to read it.
I did have a nice career in print, but traditional publishers don't always have the resources to create individualized marketing for their authors. Mine never figured out how to package books as hot as mine so that they found their full audience. Finally, I got frustrated enough over my lack of traction to walk away.
I think maybe I might have to do what some other authors do, which is do a variation on my name, just to send readers the message that, 'Yep, this is me, but this is a different part of me. So brace yourself.'
[Truman Capote] was not only just selling his writing, but he was selling himself as a person.
People are used to streaming and binge-watching. When they see an author they like, if there's only one book, even if they like the book, they're going to forget about you. The way to keep you in their mind and to get you to become a habit for these readers is you have to have a lot of product out there for them to read.
As a journalist, I'm not supposed to be the subject, but as an author, I'm fair game - another ingredient in the media soup.
When I give away a book for free, it gets my name out there. That has lifelong value for me that goes way beyond the few dollars I could maybe charge.
