[Raymond] Chandler, I reread him, and there's a lot of bad writing there. I don't think he knew much about people.
The study of literature threatens to become a kind of paleontology of failure, and criticism a supercilious psychoanalysis of authors.
'Daughter of Smoke and Bone' is one of my all-time top YA fantasy trilogies, so I was a little nervous about reading 'Strange the Dreamer.' Of course, I shouldn't have been worried because Laini Taylor immediately grabbed me by the proverbial lapels and refused to let me go.
The best way to learn about writing is to study the work of other writers you admire.
I did always think of Heinlein as a strict rationalist, although a dispassionate examination of his works doesn't support that.
I used to love reading, but since I've started writing, it's harder for me to immerse, because I spend so much time looking at how the story is structured and trying to see what the author is doing behind the curtain.
I am reading Sienkiewicz. What tormenting reading. What a powerful genius! And there never was such a first-rate writer of the second-rate class.
Luckily for you, you can close the book The Postman Always Rings Twice and break out of it, and James M. Cain can't. I can't think of any redeeming feature he has, but he's extremely compelling.
Wilbur Smith's novels make terrific holiday reading.
A novelist needs to know his own strong points and weak points.
Dickens is always full of surprises.
You can recognize in your own reading habits what writers are doing that works and what doesn't. I'm becoming much more aware of that after reading a decade of student stories.
Sharon Shinn is a lover of words and a builder of worlds. She makes science-fiction seem like fantasy. Her characters jump off the page, finding their way under your skin and into your heart.
By reading a lot of novels in a variety of genres, and asking questions, it's possible to learn how things are done - the mechanics of writing, so to speak - and which genres and authors excel in various areas.
I'd love to meet Flannery O'Connor. I think I'd be content to hear her speak on any subject. What forces shaped her. What nebula of books and stories were whirling together inside her at the time of her death.
Like everyone else, I grew up loving the Anne books, but L.M. Montgomery is so much more. Like Jane Austen, she has an eye for the absurd and a gift for the 'mot juste.'
Perhaps the writer I've read the most of is Haruki Murakami, the Japanese writer, but I wouldn't necessarily say he's a favourite. I read him because I find his work so intriguing, but I don't necessarily feel I would follow this writer to the ends of the earth.
Big Stephen King fan. I think he's dismissed often as a hack probably because of his prolific body of work, but he's anything but. I think he's a terrific writer. And not just a genre writer; he really approaches a number of complexities in everything he writes. So I'm a huge fan.
'Looking For Alaska' by John Green is a very great book. I feel like every teenage girl says John Green's 'Fault In Our Stars,' but 'Looking For Alaska' is better.
My view, as one who taught it, is that the whole purpose of a literary education should be to tell people that these things exist. I don't think any teacher should try to 'teach an author,' but rather simply describe what the author has written. And this is what I tried to do.
Nevil Shute's On the Beach is no Christmas carol, but it seems to me a remarkably fine novel, one which I read, in the peculiarly repulsive phrase, with my eyes glued to the page.
I think my fascination is less with genre figures than with writers in general.
I look for the kind of text that doesn't look like the writer I'm considering. Plutarch is a great example.
The main advantage of being a reviewer is that you read a lot. A lot of books get sent to you, and you have an amazing vantage point from which to observe what's going on in contemporary fiction - not only genre stuff, the whole spectrum.
