Action Scene Quotes

Yakima Canutt was famously John Wayne's stunt double, and in the Western movie 'Stagecoach,' there is a fantastic scene where there are some horses thundering along, pulling a carriage. He climbs out onto the horses and drops down underneath them, so he's being dragged along, and then he lets go.

There's a pretty epic battle "Part 2" of Twilight. It's really involved and it took us a few weeks to film it, because there was so many of us and it was such a large, massive war. I think they're really gonna love that. I feel like we've been working up to this the whole series and there was a bit of confrontation, but you never really got to see all the vampires go full force.

Probably the most difficult things were my favorite parts. The make-up and the big fight sequence at the end of the movie were very difficult but really fun and challenging.

Tom Arnold and I, we have a huge firefight scene on top of a German tank. I get to shoot 50 caliber rounds. We shoot a helicopter out of the sky. That's the only fight I'm in.

In 'Charade,' there was a big fight. George Kennedy was playing one of his first big heavy roles; he had a hook for a hand, and he was real ugly. Cary Grant was Cary Grant. They were on a slanted roof, a very exciting fight, and we agreed there shouldn't be any music, just the grunts and the action.

When I read the scene where I'm actually chainsawing my way out of the belly of a shark, how could a guy turn that down when that's in the job description?

I can't remember ever being involved in a fight in a movie where I haven't done most of it.

Look, some days, you have to film a sequence in which the rain is pounding down on someone and you're just turning the camera on what's happening. And other days, you occasionally have to spray Robert Pattinson in the face with a firehose.

If you know how to shoot a scene, then you know how to shoot an action scene. If you've seen an action movie, and you watched it, and you paid attention to how scenes are constructed and where the camera is and how the camera moves, then you know how to do it.

There are a lot of times where, filming 'It Follows,' I'm fighting against a guy dressed in a green suit for special effects, and I'm just like, 'No. There's no way this is going to be pulled off.'

I always loved Japanese movies. And they had an enormous impact in France - the Nouvelle Vague took so much from them. It taught us how the camera was placed in the centre of the action.

In my peaceful moments, I yearn to write a bank heist like the one in 'Heat.'

Well one of the times I did a stunt was in the devil's snare room and they lifted me up on a harness and a safety rope really, really high, and they just dropped me down into the devil's snare.

We did some cool wire work in 'The Pact' - they had me strapped to a harness underneath my shirt so they could fling me around the house and slam me into doors. I definitely got some bruises even with all the padding!

The greenhouse scene! It was just so fun to have the romance and the action.

Rowww!” Bast wailed. The wrecking ball rolled straight over her, but she didn’t appear hurt. She leaped off and pounced aain. Her knives sliced through the metal like wet clay. Within seconds, the wrecking ball was reduced to a mound of scraps. Bast sheathed her blades. “Safe now.” “You saved us from a metal ball,” Sadie said. “You never know,” Bast said. “It could’ve been hostile.

I think the very simplest way to show Superman's power is to have him punch someone that's powerful.

Best fight ever in a movie: 'They Live.' I want to do a martial arts version of that, where you think it's ended, and it just keeps on going. I love that fight. It was funny as well. Unexpected.

I got in trouble in film school at USC because one of my Super-8 movies there, in the first semester, involved a snowmobile chase scene. I made an action scene, and they were like, 'That wasn't what you were supposed to be doing.'

I want to beat up Michael Fassbender in a movie. I was with him at the beginning of his career when he did an episode of 'Murphy's Law.' He's a proper superstar and enormously talented, but I want to do a scene where I properly duff him up.

Stuntwork... once, I've really only done one thing, which is take a punch and transport myself into the air onto a mat.

It's much easier to do a fight sequence between two people, if one of the two people in the fight is a stunt person, or you're going to risk somebody getting hurt.

He's looking for the president's kidnapped daughter; everybody he calls on to help him is busy, but lo and behold, you look across the room, and I'm waiting for that action.

The best part about the movie, and everybody seems to rave about it, is the boot camp part.

On 'Death Valley,' I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.