Keri Russell Quotes

I think baking is an incredible thing; cooking in general is an incredible thing.

One of the great arts in living is to learn the art of accurately appraising values. Everything that we think, that we earn, that we have given to us, that in any way touches our consciousness, has its own value. These values are apt to change with the mood, with time, or because of circumstances. We cannot safely tie to any material value. The values of all material possessions change continually, sometimes over night. Nothing of this nature has any permanent set value. The real values are those that stay by you, give you happiness and enrich you. They are the human values.

We shot the movie [Waitress] in 20 days so there wasn't a lot of time to learn. There wasn't a lot of pie baking going on, at least not by me. But we always had pies while we were filming - we ate two different pies every day for lunch!

I can make cookies and do easy stuff. Pies are very specific and hard to do well though.

I never drew a picture of anything that was before me but always from fancy, a sure sign of the absence of artistic eyesight; and I illustrated my lack of real feeling for art by a very early speech: 'Mama,' said I, 'I have drawed a man. Shall I draw his soul now?

Things rarely happen for a single reason. Even the cleverest and most skilled manipulators recognize that their real art lies in making use of that which they cannot predict.

That was always what I felt was the beauty of Rock 'n' Roll, it was entertainment and showbiz yet it had the idea of the voice of the people, it had an essence to it which was socially motivated. Not that I want to change to world, you know? But it was sort of relevant to real life, it involved the real essence of poetry or the real essence of fine art. But it was also entertainment. That was the real vitality.

Working with Moschino, a real high fashion Italian brand, maybe I'm under tighter deadlines, but sometimes under tight deadlines you do your best work.

In the hands of an able cook, fish can become an inexhaustible source of perpetual delight.

The cultural institutions which embody and enforce those interlocked aberrations-for instance, law, art, religion, nation-states, the family, tribe, or commune based on father-right-these institutions are real and they must be destroyed.

I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.

Too much trouble,' 'Too expensive,' or 'Who will know the difference' are death knells for good food. ... Cooking is not a particularly difficult art, and the more you cook and learn about cooking, the more sense it makes.

I would like the whole world to be full with authentic art, throbbing with it, living with it, because that is the only way: through authentic art, real art, you transcend it. If the music is real, soon you will move into meditation, because the music will only give you a little glimpse of meditation, nothing more.

The real function of art is to change mental patterns ... making new thought possible.

For Hannibal, it's really about food as art and also, Hannibal's specific brand of art. And I guess I'm a bit of a foodie.

I think art must be tough! I think art has to be hard. I don't think it should be easy. I think it should take foot-pounds of energy to produce that art, otherwise we would have more mediocre writers, and we don't have room for any more mediocrity in the world. There's already enough of it being visited on us night and day through the Internet, and through television, and through politics.

Sometimes you got to a point where it wasn't happening and you had to figure out another way to do it, particularly in terms of making the jaguar do what you wanted. That was not CG, a real guy had to run really fast and not trip. There was a form of restraint on the creature that you can't see. so it was all very safe - but it is real.

It was Richepin who said somewhere, 'The love of art means loss of real love'... True, but on the other hand, real love makes you disgusted with art.

Art too is just a way of living, and however one lives, one can, without knowing, prepare for it; in everything real one is closer to it, more its neighbor, than in the unreal half-artistic professions, which, while they pretend to be close to art, in practice deny and attack the existence of all art - as, for example, all of journalism does and almost all criticism and three quarters of what is called (and wants to be called) literature.

Blow your brains out and do it right, make sure it's on prime time and on Saturday night.

That was the real secret of the Tarahumara: they'd never forgotten what it felt like to love running. They remembered that running was mankind's first fine art, our original act of inspired creation.

I feel most real to myself in the studio.

I don't believe any real artists have ever been non-political. They may have been insensitive to this particular plight or insensitive to that, but they were political, because that's what an artist is-a politician.

Especially for people of our generation, who really celebrated certain attitudes - the outsider, the loner - it can have a real impact on the art when they realize, I have friends, I'm married, or I have kids. That's certainly happened to me.

If all the thought which had been expended on the construction of engines of agony and death - the modes of aggression and defence, the raising of armies, and the acquirement of those arts of tyranny and falsehood without which mixed multitudes could neither be led nor governed - had been employed to promote the true welfare and extend the real empire of man, how different would have been the present situation of human society!