Adam Driver Quotes

To me, truth is the big thing. Constantly you're writing something and you get to a place where your characters could go this way or that and I just can't lie. The characters have gotta be true to themselves.

I always felt that if I was going to do a movie, I wanted it to be authentic.

When I was doing 'Ordinary People' and 'Taps,' I never wondered if it would have a lasting impression. I was just wanting to make the best film we could and do my part in that and be true to what my responsibilities were.

I care more about making sure the story is correct and the characters are behaving in character than I do about the individual jokes.

If I get a note on my script or my films, what I say to a studio executive is that, 'You know, this is the film of my legacy, and I never want to be sitting in a theater looking up on the screen and seeing something that I don't believe in.' I will never do that.

One has to be honest to the story and choose actors accordingly.

Whatever film you do, even if it's a children's film, you do with the same amount of sincerity.

You have to be honest about what kind of films you want to make.

It's just a moment that doesn't feel 100-percent truthful, a kind of a square peg/round hole situation. Which is why the preproduction on a movie is so important, because you can't just push those through.

People talking about politics usually start from the ass end backwards in that they think you have a political agenda, and then you make your work fit that cookie cutter. It's the other way around. One works by simple observation, looking into things. It's usually called insight and out of that comes your view - not that you have the view first and then squash everything to make it fit. I'm not interested in cutting the feet off my characters or stretching them to make them fit my certain political view.

If a writer is true to his characters they will give him his plot. Observations must play second fiddle to integrity.

The quality most important to me, in the films I make, is honesty.

Let the character as it began be preserved to the last; and let it be consistent with itself.

The most important thing is that the work has to be solid [in terms of its formal structure] and that the work accomplishes what it strives to achieve. It has to be genuine - not mannered or stylistically driven.

To go too much another way, for the sake of my ego in wanting to create something... in the situation of Superman is just wrong. Especially since we're continuing, in a sense, that story. The characters have to feel somewhat similar. What are you going to do with Superman? The world, and all the people that have created it, created him and have all kind of come together to make this image. Everybody kind of has the same idea of what it should be. So for me to go, "Okay, no, I think he should have a southern accent." Or something crazy, just doesn't make any sense.

When I'm making a movie, it's making use of my creative juices, and it fills me up with what really is - I think my purpose here is to tell stories.

At Pixar, I don't have to compromise at all. When I look at the finished "Toy Story 3," I don't sit and constantly think, oh, the actor was having a bad day, or oh, it rained and we couldn't use that set. The story that I wanted to tell is what is on screen, and I haven't had to compromise it one iota.

When you make a movie, everyone should leave their own personal problems at home. When they start bringing those to set, filming can be very difficult... You don't need any extra drama. Put the drama into the story, in the characters.

The Nice Guys movie was the first time in my career where what I wrote on the pages is on the screen. I'm more proud of it than anything else I've done. It is effectively what I wanted. If this movie's bad, it's my fault. It's not somebody else who changed or censored or edited it. This is the stuff I wanted, and that's what's on the screen, and if you don't like it, it's my bad.

Making a movie is like making an ocean voyage, and the script is your ship.

I feel with this film that as long as we tell Philomena's story and as long as we're true to her, which Jeff and Steve have already done by writing the story... we must not sell her short;. She's a most remarkable woman and all my concern was that we must be absolutely true to her story.

If it was a choice between making movies and doing nothing, he'd probably still wish me to make movies, So he made me keep going.

Life is funny. Life isn’t categorized into comedy, drama, action, is it?So I don’t know why they try to categorize everything. It drives me crazy-why it would have to be just a romantic comedy or…I want to have a little integrity, a little story, you know

Your first obligation as a writer is to tell the truth and to tell a good story.

It's really hard to make a good film; it's really, really hard. So, the director's very important, and a character that can be described with more than one or two adjectives, maybe with contradictions. Contradictions are always good because that's truthful.