Pierre Corneille Quotes
Force is legitimate where gentleness avails not.
Corneille, Pierre. Héraclius. 1647, Act I, Scene 1.
For another version see Shakespeare {47041}, Bulwer-Lytton {114805}, and Hogben {624057}
Clay in his speech gave credit for the sentiment to Josiah Quincy
In this case, he was referring to the situation with the Barbary Pirates who had an incredible extortion racket going in the Mediterranean. If nations would pay them an annual sum each year, they would not attack and seize merchant ships of that country and sell the ships and goods while holding the sailors for ransom. Jefferson favored and authorized war—a naval attack which for many reasons the European nations had not done (they just paid the tribute). Then a peace treaty was finally signed—the first American Treaty.
Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the Collège de Bourbon (Lycée Pierre-Corneille since 1873) where acting on the stage was part of the training. At 18 he began to study law but his practical legal endeavours were largely unsuccessful. Corneille's father secured two magisterial posts for him with the Rouen department of Forests and Rivers. During his time with the department, he wrote his first play. It is unknown exactly when he wrote it, but the play, the comedy Mélite, surfaced when Corneille brought it to a group of traveling actors in 1629. The actors approved of the work and made it part of their repertoire. The play was a success in Paris and Corneille began writing plays on a regular basis. He moved to Paris in the same year and soon became one of the leading playwrights of the French stage. His early comedies, starting with Mélite, depart from the French farce tradition by reflecting the elevated language and manners of fashionable Parisian society. Corneille describes his variety of comedy as "une peinture de la conversation des honnêtes gens" ("a painting of the conversation of the gentry"). His first true tragedy is Médée, produced in 1635.
