WILL GLUCK

I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.

I try not to read the Internet because it's mostly just a sea of hatred.

I don't think anyone says "Wow, the best sex I ever had was when I was 16 years old."

I like doing movies about personal situations; that's what I love about dealing with things. I don't like superhero things, I like real-people things.

I never go to the monitor. I just look at the camera monitor and my favorite part of all of the directing, except for the writing and editing of it, is right when we're rolling and they do lines and I'll say "Try this, try this, try this."

When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.

When I did TV shows and my other movies, I never try to do it for anybody. I just do what I think is good no matter what the genre is.

There are not that many roles in comedies that are completely driven by a young actress.

I like doing character movies. I like doing movies about personal situations; that's what I love about dealing with things.

You go through your career and you find people and cast who you love and you go through and keep them and you never want to let them go because you have a great repertory with them.

I try not to read the Internet because it's mostly just a sea of hatred.

I don't like having characters as props. I never want a character to be a prop.

I like doing character movies. I like doing movies about personal situations; that's what I love about dealing with things.

When you have a movie about people landing from planet Neptune, you suspend disbelief. I totally get it. But I like doing things that happen in real life.

I like doing movies about personal situations; that's what I love about dealing with things. I don't like superhero things, I like real-people things.

I like to deconstruct things, deconstruct genres and stories.

When I did TV shows and my other movies, I never try to do it for anybody. I just do what I think is good no matter what the genre is.

People in movies and TV seem to be completely dumb to what's going on in the real world and relationships.

The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.

In the movies I've done for Sony, they've never given me quadrant specific notes ever. They say "Keep making it. Just make the movie you want to do." Especially in a comedy because comedy is so tone specific.

There are not that many roles in comedies that are completely driven by a young actress.

You go through your career and you find people and cast who you love and you go through and keep them and you never want to let them go because you have a great repertory with them.

When you people have a set up joke and the joke is set up straight and the words are just well written, I always say "C'mon, humans don't speak that way."

I don't think anyone says "Wow, the best sex I ever had was when I was 16 years old."

To me, the big difference is when you yell cut and then you have to walk over there and deliver a note, it gives it much more import as opposed to "Hey, try that." It's just much more intimate, I think.

I never go to the monitor. I just look at the camera monitor and my favorite part of all of the directing, except for the writing and editing of it, is right when we're rolling and they do lines and I'll say "Try this, try this, try this."

I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.