THOM YORKE

I don't see it in terms of changing things, but rather using language and music as weapons for fighting a mainstream media which is predominately right wing, and loyal to the political framework and its corporate interests.

So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.

I think artists can influence only through making music that challenges people, excites them and flips them out. Music that repeats what you know in ever-decreasing derivation, that's unchallenging and unstimulating, deadens our minds, our imagination and our ability to see beyond the hell we find ourselves in.

People in bands don't have the kind of conversations people might think they have. The best things about being in a band are the things that are unsaid.

I've never believed that pop music is escapist trash. There's always a darkness in it, even amidst great pop music.

One of the interesting things here is that the people who should be shaping the future are politicians. But the political framework itself is so dead and closed that people look to other sources, like artists, because art and music allow people a certain freedom.

Well, my son really loves wildlife. And everytime he draws a polar bear I want to tell him there probably won't any by the time... he's my age. That's kinda hard to deal with.

Well, I've been reading a lot about the fifty years since the Second World War, about Western foreign policy and all that. I try not to let it get to me, but sometimes I just think that there's no hope.

This was something that was obsessing me and creating a writer's block. To get involved and get stuck in, get the proper information about what's going on has really helped.

I feel like, as musicians, we need to fight the Spotify thing. I feel that in some ways what's happening in the mainstream is the last gasp of the old industry. Once that does finally die, which it will, something else will happen.

I grew up believing that I was fundamentally powerless.

My dad spent his whole life getting into fights for telling what he believed to be the truth. Basically it comes from my dad-and he's screaming right-wing, so there you are.

At home I've got a very puerile, juvenile sense of humour.

I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out.

I went to a boys' school, and I didn't realize that most guys join bands because they wanted to get girls. I was not really focused on that the way everybody else was.

I had a series of mini-breakdowns where the public persona - this thing, this face, this person who writes this music... I would walk past that person in the mirror or listen to that person playing guitar and I didn't know who they were.

It is difficult to make political art work.

I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.

I think sometimes all the charities are doing is mopping up the blood. It's a shame.

My argument would be that I don't think there is much that's genuinely political art that is good art.

I think the most important thing about music is the sense of escape.

I'm not afraid of computers taking over the world.

You think I have the responsibilty... I have the responsibility to give the fans a good time!

I think we're entering a very dangerous time. The West has set itself up, decided it's in charge, not for good intentions, not for the benefit of mankind.

Generally speaking, if people are prepared to stick their heads above the power pit, like Zinn says, and absorb what's going on around them, it makes them think.