SARAH WRIGHT

I had sort of had a 21st birthday when I was 17, 18 years old living in Japan. I had all of that stuff sort of happen earlier for me, which happens to a lot of people. My 21st birthday was just a little boring. Not a great story.

I lived in Greece. I had a lot of party experience there.

I love doing TV as much as I love doing movies.

I love this thing about L.A. that we always make fun of but always do, which is talk about traffic and which direction we're going.

I'm not a fan of aggressive meathead dudes who spend three hours at the gym, drink protein shakes, talk about lifting and what juice they're trying.

With movies, depending on who your director is or what kind of movie you're shooting, you kind of have more of an ability to play around with the material, go off the page, improv. It's like we did with '21 And Over.' Same thing we did in 'Walk Of Shame.' Same thing we did in 'House Bunny.' You have the freedom to do that.

I love a lot of comedy movies. I think I fell in love with comedy when I was younger. My brother and I would always sit down and watch some of the classics. 'Bottle Rocket' is one of my favorite comedies.

I had sort of had a 21st birthday when I was 17, 18 years old living in Japan. I had all of that stuff sort of happen earlier for me, which happens to a lot of people. My 21st birthday was just a little boring. Not a great story.

I lived in Greece. I had a lot of party experience there.

I love doing TV as much as I love doing movies.

I love this thing about L.A. that we always make fun of but always do, which is talk about traffic and which direction we're going.

I'm not a fan of aggressive meathead dudes who spend three hours at the gym, drink protein shakes, talk about lifting and what juice they're trying.

I love a lot of comedy movies. I think I fell in love with comedy when I was younger. My brother and I would always sit down and watch some of the classics. 'Bottle Rocket' is one of my favorite comedies.

With movies, depending on who your director is or what kind of movie you're shooting, you kind of have more of an ability to play around with the material, go off the page, improv. It's like we did with '21 And Over.' Same thing we did in 'Walk Of Shame.' Same thing we did in 'House Bunny.' You have the freedom to do that.