ROB MCCLURE

I love to strive to be good at stuff that's really hard.

One of the reasons I got into musical theater was Anthony Warlow. I was obsessed with the 'Jekyll and Hyde' concept album because of him.

I would say that Pixar is doing for animation what Chaplin did for film, infusing it with heart and characters that you care about and stories that you lose yourself in. They are similar revolutionaries and changing a medium.

Maggie and I got married and then had to wait three years before we got to take our honeymoon because we were both working! Right before 'Chaplin' began, we got to go to Hawaii.

I would advise young aspiring theater artists to do as many shows as possible. It doesn't matter if it's in the basement of a church, in school, or in community theater. Do them wherever you can; big parts or small, it doesn't matter.

Portraying Mozart is a scary task. Whenever I'm asked to portray actual historic figures, it comes with extra accountability. Not just to your director and playwright, but to the man himself and the beloved persona that the public forms.

I think theater communities in cities can form really strong foundations.

I was a bit of a goofball. I was always silly. I think that lends itself to being an actor.

The nice thing about 'Honeymoon in Vegas' is we're not talking about some crazy smash hit where everyone is coming and comparing my performance to Nicholas Cage.

If you think hard enough about it, Rowlf the dog playing the piano on 'The Muppet Show' - what kind of insanity was happening underneath the cameras to make that happen? His mouth is moving, and he's got two hands playing the piano. That's two people under there!

The very first audition, you just go in and sing. The second one, they give you this sort of cheapy, Walmart-looking puppet - before they give you the $6,500 'Avenue Q' puppet.

I didn't start to work until I realized what it was I had to offer. I stopped imitating performers I admired and started just being myself.

I saw 'Cats' on a school trip. I thought it was neat and a little weird. The set was cool.

I'm not Charlie Chaplin and will never, ever claim to be. But when I become the 'Tramp,' I can feel the hair stand up on the back of my neck.

Puppet camp truly redefined my preconceptions of puppetry... I'll never forget learning that before a puppet can speak... he has to inhale. It's those details that make the characters truly come to life.

My initial introduction to him was - this is a funny story... My Aunt Marian, my entire life growing up, told me that I looked like Charlie Chaplin. That didn't really resonate with me when I was younger - I hadn't seen a lot of his films.

We are brunch hounds. We also like movie dates. There's a lot of diners, a lot of movies. We're 'simple pleasures' people. It doesn't have to be crazy. It could be a 'Law and Order' marathon on the couch, or it could be dinner or a show. We like to mix it up.

No one knows this, but my dad can sing his face off.

I think it's ridiculous when people say, 'I don't date actors.' It's about the right person, and no matter what that right person does for a profession, they're still going to be the right person.

I never dreamed that the little ditties I wrote about annoying customers or bagel recipes would turn into a full-length musical comedy. But a very wise person told me to 'write what you know'. So I did.

When I was a kid, I was hugely impacted by 'Jurassic Park.' I think I was just the right age when that movie came out, and I remember running around my town like a Velociraptor.

I was a huge Muppet fan growing up, but that was the extent of my puppet knowledge. I really loved the art form and the whole Henson universe.

There are level-headed actors and outlandish actors and financially responsible actors and financially irresponsible actors.

I had seen 'Avenue Q' off-Broadway back in 2003 and fell in love with it. I just thought it was the smartest, funniest thing I'd seen in a long time.

I certainly enjoy doing pantomime-y things, but I didn't have any specific training in it.