JOE LO TRUGLIO

You surround yourself with amazing, grade-A talent, and you're going to have to lift your game. You kind of thrive just by being around such people.

The people from 'The State' are close friends, but also some of the most incredibly funny people I know.

What I found most fun is just trying to get other people to crack up. That's always something that will help a movie and I've been lucky enough to have been able to work with some incredibly talented, collaborative comedy people in all of the stuff that I've been in. If you can get people laughing, cast or crew, you're going to have a good end product.

I grew up down in Florida, and in the Keys, there's this place called Sea Camp which was not unlike Space Camp, except you explored the sea. And so that kind of whetted my appetite for that. But then I ended up swimming in a lagoon full of Cassiopeia jellyfish, and that quickly quashed that desire to be a marine biologist.

The reality of television production now is that all the development money and pilot money now goes to the Internet so they can try to get pilots cheaper, than if they were producing them for television. I understand, it's a business, but what's great about doing it on the web, and one thing that attracted me is the amount of creative freedom that you do get with the web. That's the only advantage of there not being a lot of money involved, is that you're really able to write and do what you want... because there's not a lot of money involved and not money at risk.

I hope that I have gained the reputation of being someone that would do anything. I think that that's an admirable reputation to have if you're an actor.

I was a big 'MAD Magazine' fan when I was a kid, and I read a lot of horror comics - I illustrated as well.

There's shorthand that happens when you work with someone you know where you can almost finish each other's sentences. There's just a certain back and forth that becomes much easier with someone you've worked with for so long.

I was a big 'MAD Magazine' fan when I was a kid, and I read a lot of horror comics - I illustrated as well.

You surround yourself with amazing, grade-A talent, and you're going to have to lift your game. You kind of thrive just by being around such people.

The people from 'The State' are close friends, but also some of the most incredibly funny people I know.

I hope that I have gained the reputation of being someone that would do anything. I think that that's an admirable reputation to have if you're an actor.

There's shorthand that happens when you work with someone you know where you can almost finish each other's sentences. There's just a certain back and forth that becomes much easier with someone you've worked with for so long.

I grew up down in Florida, and in the Keys, there's this place called Sea Camp which was not unlike Space Camp, except you explored the sea. And so that kind of whetted my appetite for that. But then I ended up swimming in a lagoon full of Cassiopeia jellyfish, and that quickly quashed that desire to be a marine biologist.

What I found most fun is just trying to get other people to crack up. That's always something that will help a movie and I've been lucky enough to have been able to work with some incredibly talented, collaborative comedy people in all of the stuff that I've been in. If you can get people laughing, cast or crew, you're going to have a good end product.

The reality of television production now is that all the development money and pilot money now goes to the Internet so they can try to get pilots cheaper, than if they were producing them for television. I understand, it's a business, but what's great about doing it on the web, and one thing that attracted me is the amount of creative freedom that you do get with the web. That's the only advantage of there not being a lot of money involved, is that you're really able to write and do what you want... because there's not a lot of money involved and not money at risk.