HUMPHREY LYTTELTON

I started on the fringes of journalism as a cartoonist on The Daily Mail.

Well, I had started a program which is even longer running than this one in 1967 which was a jazz program called The Best of Jazz and that still goes out on Monday nights. That's been going for 33 years or something.

I did the pilot, and when they came through and said they were going to put it on the air, I had already some dates in the book with my band and so on. So Barry did the first one, he may have done a few more than the first one in the series, and I took it up from then.

The history of popular music is littered with great partnerships. Rodgers had his Hammerstein, Lennon had his McCartney, and Lloyd Webber had... his photocopier.

The secret of it is to read what you've got in front of you. Don't, if you suspect that something has a double meaning, don't pause. Don't put on a leery vocal expression if you know what I mean on radio. Don't sort of do anything other than read it.

I just stroll in right before the recording goes on.

An uncle gave me a side drum and my mother decided I should have lessons.

It is a very wide range of people that we get for the show.

I used to look at these pictures of trumpeters pointing their instrument to the ceiling. Stunning pictures, but if you play the trumpet and point it upwards, all the spit comes back into your mouth!

For me, it's a bigger challenge, it's much harder to do and much more rewarding to do well, then just to think up stuff of your own, hit or miss, because you've got to see to it that you don't torpedo any of his punch lines.

For me, it's a bigger challenge, it's much harder to do and much more rewarding to do well, then just to think up stuff of your own, hit or miss, because you've got to see to it that you don't torpedo any of his punch lines.

I did the pilot, and when they came through and said they were going to put it on the air, I had already some dates in the book with my band and so on. So Barry did the first one, he may have done a few more than the first one in the series, and I took it up from then.

The secret of it is to read what you've got in front of you. Don't, if you suspect that something has a double meaning, don't pause. Don't put on a leery vocal expression if you know what I mean on radio. Don't sort of do anything other than read it.

It is a very wide range of people that we get for the show.

An uncle gave me a side drum and my mother decided I should have lessons.

I used to look at these pictures of trumpeters pointing their instrument to the ceiling. Stunning pictures, but if you play the trumpet and point it upwards, all the spit comes back into your mouth!

I started on the fringes of journalism as a cartoonist on The Daily Mail.

Well, I had started a program which is even longer running than this one in 1967 which was a jazz program called The Best of Jazz and that still goes out on Monday nights. That's been going for 33 years or something.

I just stroll in right before the recording goes on.

Now it's time to play a brand new game called Name That Barcode. Here's the first one: "Thick black, thin white, thick black, thick white, thick black, thin white." OK who's going to identify that?

The history of popular music is littered with great partnerships. Rodgers had his Hammerstein, Lennon had his McCartney, and Lloyd Webber had... his photocopier.