GIANFRANCO FERRE

A fragrance always combines femininity and sensuality.

A fragrance is like a dress, an expression of personality. It can be both erotic or powerful, or both, but it always combines femininity and sensuality.

The white blouse can be light and floating, impeccable and austere, sumptuous and all-enveloping, tight and close-fitting. It rises up to frame the face. It sculpts the body by transforming itself into a second skin. Imputed with glamour and poetry, freedom and impetuousness, the prim white shirt turns out to have a thousand identities.

As an architect, I learned to think and express myself on flat forms, on paper, and to imagine the contour of the lines of a design.

The design of a dress, furniture, a house, a room, a street and a city are all the same process.

The design of a dress, furniture, a house, a room, a street and a city are all the same process.

As an architect, I learned to think and express myself on flat forms, on paper, and to imagine the contour of the lines of a design.

A fragrance always combines femininity and sensuality.

The white blouse can be light and floating, impeccable and austere, sumptuous and all-enveloping, tight and close-fitting. It rises up to frame the face. It sculpts the body by transforming itself into a second skin. Imputed with glamour and poetry, freedom and impetuousness, the prim white shirt turns out to have a thousand identities.

A fragrance is like a dress, an expression of personality. It can be both erotic or powerful, or both, but it always combines femininity and sensuality.