EVELYNE BROCHU

Human beings are created with empathy. Art serves that purpose. So why should I be disinterested in a character who's a man, and why should a man shy away from a show that's female-driven?

For me, it’s like playing the same instrument but in a different context. TV work – it’s really about getting it just right. You have a chance to try again if it’s not. Theatre is like playing a rock show. It doesn’t really matter if you make a tiny mistake. It’s the whole vibe and getting people to feel you. It’s about carrying the moment through all the way with you in an hour and 20 minutes of the narrative.

It's very joyful to be in a productive, creative mood, but I find a lot of joy in learning and being told stories.

I think, at some point, there's only so much you can draw from within without getting inspired from what's around you and what other people are doing.

Yeah, it’s really great. I mean, the clonesbians—you know, I have to say, I feel sometimes that fiction can reflect reality and sometimes even affect it. And I’m really proud to play a gay character whose main problem is not that she’s gay, which it shouldn’t be for anyone. So, I’m really proud of that.

I've been travelling a lot, and so I believe in not owning so much.

Once, I was going to a film event, and someone told me not to wear high heels to it. They said that it might intimidate the men. For some reason, I was ready to take their cue, but about an hour later, something in my head started ringing, and I thought, 'That is the worst advice anybody's ever given me.'

I really think truth comes from the body. When you're running for your life, you breathe differently; you talk differently.

I feel the less you project of yourself, the more you can be believable as a character. I also think it's just better for your own mental health. Then you can be a human being and change your mind, and nobody asks you questions about it!

I'm not a huge spender. Sometimes when you pay a lot, you're paying for the company's advertising. It feels ridiculous to pay for a name.

I really think truth comes from the body. When you're running for your life, you breathe differently; you talk differently.

I feel the less you project of yourself, the more you can be believable as a character. I also think it's just better for your own mental health. Then you can be a human being and change your mind, and nobody asks you questions about it!

Once, I was going to a film event, and someone told me not to wear high heels to it. They said that it might intimidate the men. For some reason, I was ready to take their cue, but about an hour later, something in my head started ringing, and I thought, 'That is the worst advice anybody's ever given me.'

I don't like shopping that much. I do it for an hour, and then I feel empty inside and weird.

My criteria is always, 'Would I go see this movie? Is this character something I've never done? Who is the director? Do they inspire me?'

I think, at some point, there's only so much you can draw from within without getting inspired from what's around you and what other people are doing.

Human beings are created with empathy. Art serves that purpose. So why should I be disinterested in a character who's a man, and why should a man shy away from a show that's female-driven?

Sometimes, in the summer, I just step out of my home, and I see all these people - Montreal is like El Dorado. It doesn't exist. It's so perfect and beautiful and multicultural and chill and fun.

It's very joyful to be in a productive, creative mood, but I find a lot of joy in learning and being told stories.

I've been travelling a lot, and so I believe in not owning so much.

I'm not a huge spender. Sometimes when you pay a lot, you're paying for the company's advertising. It feels ridiculous to pay for a name.

For me, it’s like playing the same instrument but in a different context. TV work – it’s really about getting it just right. You have a chance to try again if it’s not. Theatre is like playing a rock show. It doesn’t really matter if you make a tiny mistake. It’s the whole vibe and getting people to feel you. It’s about carrying the moment through all the way with you in an hour and 20 minutes of the narrative.

Yeah, it’s really great. I mean, the clonesbians—you know, I have to say, I feel sometimes that fiction can reflect reality and sometimes even affect it. And I’m really proud to play a gay character whose main problem is not that she’s gay, which it shouldn’t be for anyone. So, I’m really proud of that.