Voiceover Artist Quotes

It really depends, but, generally speaking, just because of the mechanics of it, voice-over is easier because there is no hair, no makeup, no wardrobe, no fittings, no line memorizing. You don't have to me woken up in Russia at 6 in the morning and go film a scene. It's just easier on the body, the family life to do voice-overs.

I make more than a handsome living doing voices for commercials; I hear myself all day on the tube.

When I went to Ann Arbor, University of Michigan, what I really wanted to be was a radio announcer.

Every day I wake up I am thankful and every night I am very thankful that I've made a career out of the phrase 'Let's get ready to rumble!'

I love any kind of acting, so if I could focus on becoming the best actor I can strictly on my voice, I would love that.

I would love to work with Morgan Freeman. I love him.

I'm really not a fan of voiceovers; I think they become a crutch.

Voiceover work, I really enjoy. I don't get to do too much of it, but I've been doing more lately, and I like it because you get to do a bunch of options, one after the other, and you can go as big as you want or as small as you want, and you don't think about it sometimes.

I love to do voiceover because, for me, if you know what you're doing, it's simple. No makeup, no costuming, none of the baloney. None of the egos - you don't have to deal with all that crap. I love voiceovers.

Voiceover is probably the toughest of all the markets to get into. Everybody wants to do it because it's again three to five hours work. You can roll in there with your bedroom slippers and robe on if you wanted to. And it's fun.

I think, to a degree, I'm maybe more suited for voice work. And I don't just mean my face and body. Because maybe there's something about what I do that just, for some reason, is better to just hear me.

I started in radio, again accidentally. I wasn't looking for this kind of work at all.

I love doing voice-over. It's so fun.

Oh, here comes Mel Blanc, the voice of Bugs Bunny and Jimmy Smits!

It's fun to do voiceover work, although you still have to act. But it doesn't involve memorizing lines, and you don't have to dress up.

I had a moment where I realised I could do silly voices, that lots of people I knew couldn't do silly voices, and that thus I must be able to make money doing silly voices.

I love all the voiceovers I do. I can't remember them all, but I seem to do them all of the time. And there's nothing easier because you just stand and read the script, and you don't have to act the way actors do. You don't have to be made up and put costumes on.

I love doing voice-over. It's one of my favorite things.

I'm really comfortable doing voice-overs, but it's really fun to do animation. Those animation talents are hysterical. They're so good, and they're so amazingly quick on their feet.

I got a phone call from Jon Favreau saying, 'I need the voice of a personality-less robot, and I thought of you immediately.' I thought that was the funniest thing I ever heard, so I said, 'Yes.'

I was a radio jockey after graduation. I was 22, the youngest RJ in Delhi at that time.

I'm hoping to have a huge future in voice-overs. For years, people have said, 'I recognized your voice before I recognized your face!'

'Superman' was a total accident. The producers of the animated series were having a hard time finding someone to read the character. I was brought in through a connection and, I think, out of desperation.

The good thing about radio is that it's the kind of career that really is a career with longevity. It's something you can do as long as you want to do.

I can do lovers. I can do Sir Galahad types. I'm not going to limit myself in voice-overs to irascible old men.