Voice Talent Quotes

It really depends, but, generally speaking, just because of the mechanics of it, voice-over is easier because there is no hair, no makeup, no wardrobe, no fittings, no line memorizing. You don't have to me woken up in Russia at 6 in the morning and go film a scene. It's just easier on the body, the family life to do voice-overs.

I'm trying everything. But voice work is the best thing you ever imagined. It's not about how you look, and you can go to work in your PJs.

I make more than a handsome living doing voices for commercials; I hear myself all day on the tube.

I did a voice for Odo, but people don't recognize you by your voice.

After dubbing my lines for the first time, I'd say it's more difficult than performing in front of the camera.

I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.

When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.

Yes, I've already done a couple of guest voices.

I loved being on the radio. Being paid to talk? It's like being paid to eat.

I have always been complimented that my voice matches all actors like Shahid Kapoor, Ajay Devgn, Amitabh Bachchan, Hrithik Roshan.

It's an interesting and demanding art to do voices. I have been told so many times that I have a distinctive voice, but of course, I don't hear my own voice as others do, so I don't know.

I've been able to work with some incredible voice talent, most of whom I grew up hearing in my favorite cartoons.

I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.

Paul McCartney has a voice that can do anything!

It's funny - it's called 'The Voice,' but I sure as hell didn't have the best voice on the show. I'll admit it.

I've been fired from a situational comedy with a script they wrote specifically for me because of my voice.

I have been doing voice work my entire life, and I adore it. It is really rewarding stuff.

Voiceover is probably the toughest of all the markets to get into. Everybody wants to do it because it's again three to five hours work. You can roll in there with your bedroom slippers and robe on if you wanted to. And it's fun.

I feel like that would be pretty strange to meet a voice actor as a kid.

Plus, I've always felt that, if the worst came to the worst in my career, I could always fall back to doing voices on the radio.

There are lots of wonderful actors doing animated films these days, but I prefer it when you can't recognise them - it means they've really become the character.

I think, to a degree, I'm maybe more suited for voice work. And I don't just mean my face and body. Because maybe there's something about what I do that just, for some reason, is better to just hear me.

I had a moment where I realised I could do silly voices, that lots of people I knew couldn't do silly voices, and that thus I must be able to make money doing silly voices.

In between that time, I've done book narrating, you know, books on tape for Dove Audio.

I love to do voiceover because, for me, if you know what you're doing, it's simple. No makeup, no costuming, none of the baloney. None of the egos - you don't have to deal with all that crap. I love voiceovers.