You know how they say, "Find your voice"? That's your voice, in your pajamas. And it doesn't mean that you're going to publish it or print it or people are going to see you in your pajamas. It just means you are going to construct the foundation in your pajamas, in that voice.
It took me five years to realize what I could do with my voice. No Auto-Tune - cut all that off.
Am I the next Bill Simmons? I don't think so. I haven't built a media property. He's the best at finding voices he likes and paying people money to work for him.
The voice doesn't take a lot of effort now, but in the beginning it was hard to try to find a voice. The one I settled on was just easier to do for a half-hour.
I look at my first books and am glad they weren't published.... You start writing by imitating your heroes, then you keep the heart of that worship in your work. As time goes by, you get other influences and find your own voice.
The main thing was finding this... voice that I had interest in, which I'll call the quiet-yet-stoic voice: the very quiet yet very strong voice that I developed, that people would want to hear and that was worth paying attention to.
Art is something that grows and breathes and lives, and it shouldn't be predicated on the success of box office - but it is. But within that, you have to give people a chance to find their voice, to play, to continue to create.
Let's agree then . . . if you're about to come to a conclusion, you'll head off in another direction. You might even find your own voice.
If you want to find your voice, you need to hear the voice of God.
You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight. You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
Write relentlessly, until you find your voice. Then, use it.
I just felt like there was a world of cartoon voices that had to be discovered by me.
All we do as songwriters is rewrite the songs that have impressed us till we find our own voice. It's part of learning the craft.
Once you've found your own voice, the choice to expand your influence, to increase your contribution, is the choice to inspire others to find their voice.
It's exhilerating to be able to explore my own voice.
You say what you want to say when you don't care who's listening. If you're grasping to get your own voice, you're making a strained attempt to talk, so it's a matter of just listening to yourself as you sound when you're talking about something that's intensely important to you.
Finding places to perform was definitely the biggest challenge. Trying to find my voice over the years was a big thing because when I started I was just doing characters and impressions and that was it.
I knew that I could sing when I was young. I would listen to a lot of jazz; I'm a big jazz fan. When I first got to high school and studied musical theater, I could sing. But I added certain things to my voice, and I realized after graduating high school that this is the kind of voice I had. It's not very nimble, but it's heavy.
I sat in the barber's chair in David Miller's makeup shop, hours and hours of trial and error. While David poked at me with his crusty brushes, I grew more and more profane. That's how I started to find the voice of Freddy.
I usually hold a puppet and play with different voices until something happens and the right voice just hits me. Then, I'll pick a name that just seems to fit the character that naturally comes out.
I think I have allowed my voice to experiment with the different genres. And I think that I have just really enjoyed the journey of getting to know my voice and seeing what it's capable of, what it's not capable of.
Find your voice and don't be afraid to explore it.
Sometimes I stumble upon a wonderfully irresistible to me voice, unexpectedly.
That to me was really, certainly, the gateway into discovering John, ... I feel I found the speaking voice through the singing voice.
Everybody gets through a phase where it's, 'Ah, if I could just sound just like Vince Gill.' Then you figure out that you have your own voice, whether you like it or not, and that's what you should stick with.