Vocal Clarity Quotes

I was playing with Chuck Berry, who sounded like an English teacher. Did you ever listen to his records? He pronounces every word.

I really have shaken hands with where my voice is right now. I think it's got a little deeper; it's got some more grooves in it.

Great music is just very clear. Sonically and lyrically, you understand the point of view, you understand the melodies, you understand the vibe, and you understand the lyric pretty damn quickly. To me, that doesn't make it 'less than' - it makes it 'more than.'

If you do talk dirty, make sure that you enunciate because there's nothing more embarrassing than having to repeat yourself.

I think my style as far as vocal delivery and even down to the pronunciation of certain words is so deliberate.

Radio voices have a solid, even texture.

I have a very nice voice.

The louder I sang, the more it brought out the basic quality of the voice.

I'm always saying in the studio, 'My vocals are too loud!' or 'My vocals have too much effect on them!' I like some of it, but I'm not a fan of loading effects onto my voice.

Actually, I think the average voice is like 70 percent tone and 30 percent noise. My voice is 95 percent noise.

There was a subtlety about Peggy Lee. It was powerful. There was a valuable use of space. Everything was not cluttered. Her voice was out front and was the key instrument.

It is important that the audience should understand every syllable of every word, for only then can they grasp the meaning of the song.

It's important to me that my songs actually make sense. So often, I turn on the radio, and I have no idea what the people are singing about. It may sound good, but when you listen, they're just saying words that rhyme. It's another song about nothing.

I don't know if vocally I am so great.

The pitch, timbre, volume, speed, and cadence of your voice, the speed with which you speak, and even the way you modulate pitch and loudness, are all hugely influential factors in how convincing you are and how people judge your state of mind and character.

The only thing wrong with my voice is the way it sounds.

I don't have a problem expressing myself.

Your voice determines people's perception probably more than your style or your jokes.

One of the problems with musicals and opera is you can't ever hear all the words.

The problem with music was always that the sound system often obliterated the words, and words, not music, have always been what I was about.

My voice is not very dynamic.

The scariest thing about 'Roy' was that it was sync sound. So, I had to worry about my diction all the more along with my emotions, acting, and my dialogues. That was very challenging because it pushed me to work on my Hindi, and in a good way.

Your voice is your tool and represents you. It's very important to have a good voice where you can be understood.

One of the goals we had when making 'Moth' was to have the vocals sound less treated and less processed than we'd ever had before, to just let them be exposed and very audible.

My voice is not angel voice.