When I write a screenplay - and I think it's one of the reasons why it was frustrating for me just to be a screenwriter - I'm not thinking of it in terms of words on a page; I'm thinking in terms of visual images - basically, a comic book. I'm thinking of it in a series of shots.
The art of watching has become mere skill at rapid apperception and understanding of continuously changing visual images. The younger generation has acquired this cinematic perception to an amazing degree.
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.
Before music videos first came out, you’d listen to a song with headphones on, sitting in a beanbag chair with your eyes closed, and you’d come up with your own visions, these things that came from within. Then all of a sudden, sometimes even the very first time you heard a song, it was with these visual images attached, and it robbed you of any form of self-expression.
I trust the readers to build their own visual images. To me, that's part of the wonder of reading.
Alan Rocke's Image and Reality does so many things vividly and convincingly: it shows how visual images led chemistry step by step to the reality of the microscopic world; how simple portrayals of the logic of substitution and combination were reified; brings to our attention the imaginative, neglected work of Williamson and Kopp; and takes a critical look at Kekule's daydream. And it beautifully delineates the essential place the imagination has in science. A rewarding, lively picture of chemistry in formation.
As we know from the work of certain fundamental physicists, people like Einstein were very dependent upon conjuring up visual images in order to imagine things which otherwise were not easily formulated.
Visual images [in TV political advertising] have the capacity of disassociating themselves from their source.
The way we tell our stories on stage is that we use spoken word to convey action, and in movies, we use visual images to convey action.
If you use words to rebut a visual image, we know the visual image is dominant.
It is much harder to see under water than in air, as we land creatures do, so there are quite a few varied visual systems to be found in sea creatures.
Commenting on the evolution of scallop eyes whcih do not use lenses but use many tiny mirrors to focus the light.
With 'The Karate Kid' especially, there's been so many references and visual images from that film, you know? Who knew that 'Wax on, wax off' would become part of the American lexicon?
I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it's kind of like that's never really been my bag. Probably because I'm too shy.