I definitely feel like it took me a while to learn the baseline things you have to do if you want people to hear you. That's why I've had the same haircut for the entire time that I've been on television and that's why I wear literally the same jacket every day. I keep all the clothes I wear on TV in my office on a little hanging rack. My girlfriend calls it all the colors of the German rainbow. Grays, blacks, a slightly greenish gray for the days that I'm feeling particularly festive. I'm not trying to accomplish anything in the way I look other than to be boring enough for people to hear me.
With my career, everything I do is me. There's no one that handles telling me what I should be about or how I should dress or anything. I'm hands on with absolutely everything. When I'm writing a song, I'm already thinking of the visual for the song and I'm already thinking of what I'm going to wear in that visual and what I'm going to wear when I perform. It all goes hand in hand. Everything I do is just me expressing different sides of myself.
Image means a lot. It is everything in the business that we are in.
I always hated how I looked on camera. I never put a face to my music, which actually made the music that much more mysterious.
I take an active role in my imaging and how I look.
I just like to see and put out what I think is beautiful. And put my swag on it, and my style, and how I feel.
I've been thinking about where I want to take my live show. I want everything in it to be pink, gold, and black. I don't want people to feel any other colors, like brown or yellow.
When I create a song, I immediately think about what I'm going to wear when I perform that song. I think about the music video treatment and about how I'm going to look on stage when I perform the record. The connection is so obvious that it's a single package. An outfit, to me, is almost a tool to express the music.
No, I never thought about my image. It interests me that there are people who do, that they seem to be methodical about it.
To me, style is consistency.
We live in the Facebook era. I think everyone, not just celebrities, have an unprecedented level of self-awareness, of presenting yourself to the world. The truth is, it starts with how you look, and that goes into how you dress.
It's kinda all about image.
I've always believed that clothing is a great way to tell your story.
When I'm in drag, I don't always want to be spoken to, but I love being looked at. Nobody puts that much work into how they look to be ignored.
Not one person I know isn't concerned with their appearance. To trivialize fashion is to rob ourselves of a great tool.
Our band has always been really big on imagery. We've kind of used that as one of our strengths; we tend to do that pretty well.
I love design in general, the creativity. Whether it is golf courses, my apparel line, ads we do or our business with AriZona, design is fun.
Some of us are lucky enough to choose what we wear, and some of us don't have that luxury, but we all are communicating something to the world around us by what we wear, no matter if it's sweatpants or a tuxedo.
I, Lesley, I like looking nice. I like doing my hair and wearing makeup and wearing nice clothes. But I don't care what my characters look like.
What you wear can be such an indicator of so many things. You know, how you feel, how you want others to perceive you. So, that is an absolutely essential part of building a character.
A vlog look is a very specific look, and it's basically a phone look.
For me, Instagram had become a place where I could image myself the way I found myself.
Half the battle is selling music, not singing it. It's the image, not what you sing.
I'm accused constantly of having 'no signature.' That's the big artistic demerit. You can't tell a Wyler film from another man's film just by looking at it.
Rooney Mara is someone I'd like to dress; we've not worked with her before and she certainly has very interesting personal style.
