WILLIAM WYLER

If anybody doubts my loyalty to my country, I'll punch him in the nose, and I don't care how old he is.

I made over forty Westerns. I used to lie awake nights trying to think up new ways of getting on and off a horse.

It's a miserable life in Hollywood. You're up at five or six o'clock in the morning to be ready to start shooting at nine.

It's eighty percent script and twenty percent you get great actors. There's nothing else to it.

Stills belong in the lobby, not on the screen.

I don’t think that they would have allowed me to make The Best Years of Our Lives just a few years after I made it [in 1946].

I never am sure what nationality I am as my village [in Alsace-Loraine] is part of different countries from day to day.

I'm here to make good pictures. If I don't see it, I won't touch it. I may not make a good picture, but I still gotta believe in it!

Confusion seems to have become the vogue of European directors.

The trouble with Hollywood is that too many of the top people responsible for pictures are too comfortable and don't give a damn about what goes up on the screen so long as it gets by at the box office. How can you expect people with that kind of attitude to make the kind of great pictures that the world will want to see?

If we must have the Production Code, then I think the only way to use it effectively is to judge a film as a whole and determine whether its effect is good or bad.

Everything a director does must help the story and the performances. Otherwise, it is useless.

When beautiful movie stars allow themselves to look terrible, people think they're really acting.

A director must push his actors to the utmost limit to get everything possible out of each scene - without being corny or sentimental or going overboard.

To me it's more fun and more challenging, too, to do different types of pictures.

The slightest thing can ruin a scene, but you must be willing to take chances.

If Beethoven could write his 'Eroica Symphony' stone deaf, then William Wyler can do a musical.

There's only one prima donna in my pictures, and that's me!

There is nothing clever about confusion.

I'm accused constantly of having 'no signature.' That's the big artistic demerit. You can't tell a Wyler film from another man's film just by looking at it.

The war was an escape to reality... The only thing that mattered were human relationships; not money, not position, not even family... Only relationships with people who might be dead tomorrow were important. It is a sort of wonderful state of mind. It's too bad it takes a war to create such a condition among men.

I'm delighted that 'The Sound of Music' is doing so well. Of course, it's an infallible piece of material. Even when second- and third-rate road companies were doing the play, they did enormous business.

The good ones push their luck to the limit - like Laurence Oliver. As actor and director, he will go just as far as he can.

Great pictures can't be entirely fictitious.

Pictures that will live on for years, like 'The Birth of a Nation' and 'Gone With the Wind,' had great historical events in the background.